every good movement with voice or pen, or both, that, where two or three are gathered together for useful ends, if James Freeman Clarke is not with them, it is because he is busy with a book or a discourse meant for a larger audience; I glance at the placards on the blank walls that I am passing, and there I see the colossal head of Barnum, the untiring, inexhaustible, insuperable, ever-triumphant and jubilant Barnum, who came to his atmospheric life less than a year before I began to breathe the fatal mixture, and still wages his Titanic battle with his own past superlatives. How can one dare to sit down inactive with such examples before him? One must do something, were it nothing more profitable than the work of that dear old Penelope, of almost ninety years, whom I so well remember hemming over and over again the same piece of linen, her attendant scissors removing each day's work at evening; herself meantime being kindly nursed in the illusion that she was still the useful martyr of the household." An author, in Doctor Holmes' opinion, should know that the very characteristics which make him the object of admiration to many, and endear him to some among them, will render him an object of dislike to a certain number of individuals of equal, it may be of superior, intelligence. The converse of all this is very true. "There will be individuals--they may be few, they may be many--who will so instantly recognize, so eagerly accept, so warmly adopt, even so devoutly idolize, the writer in question, that self-love itself, dulled as its palate is by the hot spices of praise, draws back overcome by the burning stimulants of adoration. I was told, not long since, by one of our most justly admired authoresses, that a correspondent wrote to her that she had read one of her stories fourteen times in succession." There is a deep meaning in these elective affinities. Each personality is more or less completely the complement of some other. Doctor Holmes thinks it should never be forgotten by the critic that "every grade of mental development demands a literature of its own; a little above its level, that it may be lifted to a higher grade, but not too much above it, so that it requires too long a stride--a stairway, not a steep wall to climb. The true critic is not the sharp _captator verborum_; not the brisk epigrammatist, showing off his own cleverness, always trying to outflank the author against whom he has arrayed his wits and his learning. He is a man who knows the real wants of the reading world, and can prize at their just value the writings which meet those wants."