Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
Soon after the return to Florence, which, hot as it was, was preferable
in July to Rome, Mrs. Browning wrote to her frequent correspondent Miss
Mitford, and mentioned that about four thousand lines of "Aurora Leigh"
had been written. She added a significant passage: that her husband had
not seen a single line of it up to that time--significant, as one of the
several indications that the union of Browning and his wife was indeed a
marriage of true minds, wherein nothing of the common bane of
matrimonial life found existence. Moreover, both were artists, and,
therefore, too full of respect for themselves and their art to bring in
any way the undue influence of each other into play.
By the spring of 1856, however, the first six "books" were concluded:
and these, at once with humility and pride, Mrs. Browning placed in her
husband's hands. The remaining three books were written, in the summer,
in John Kenyon's London house.
It was her best, her fullest answer to the beautiful dedicatory poem,
"One Word More," wherewith her husband, a few months earlier, sent forth
his "Men and Women," to be for ever associated with "E.B.B."
I.
"There they are, my fifty men and women
Naming me the fifty poems finished!
Take them, Love, the book and me together:
Where the heart lies, let the brain lie also.
XVIII.
This I say of me, but think of you, Love!
This to you--yourself my moon of poets!
Ah, but that's the world's side, there's the wonder,
Thus they see you, praise you, think they know you!
There, in turn I stand with them and praise you--
Out of my own self, I dare to phrase it.
But the best is when I glide from out them,
Cross a step or two of dubious twilight,
Come out on the other side, the novel
Silent silver lights and darks undreamed of,
Where I hush and bless myself with silence."
The transference from Florence to London was made in May. In the summer
"Aurora Leigh" was published, and met with an almost unparalleled
success: even Landor, most exigent of critics, declared that he was
"half drunk with it," that it had an imagination germane to that of
Shakspere, and so forth.
The poem was dedicated to Kenyon, and on their homeward way the
Brownings were startled and shocked to hear of his sudden death. By the
time they had arrived at Casa Guidi again they learned that their good
friend had not forgotten them in the disposition of his large fortune.
To Browning he bequeathed six thousand, to Mrs. Browning four thousand
guineas. This loss was followed early in the ensuing year (1857) by the
death of Mr. Barrett, steadfast to the last in his refusal of
reconciliation with his daughter.
Public-domain text, read in full here on John Shaqi.
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