Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
there is more "profundity" in any of these than in libraries of "Sludge
the Medium" literature. Mere hard thinking does not involve profundity,
any more than neurotic excitation involves spiritual ecstasy. _De
profundis,_ indeed, must the poet come: there must the deep rhythm of
life have electrified his "volatile essence" to a living rhythmic joy.
In this deep sense, and this only, the poet is born, not made. He may
learn to fashion anew that which he hath seen: the depth of his insight
depends upon the depth of his spiritual heritage. If wonder dwell not in
his eyes and soul there can be no "far ken" for him. Here it seems apt
to point out that Browning was the first writer of our day to indicate
this transmutive, this inspired and inspiring wonder-spirit, which is
the deepest motor in the evolution of our modern poetry.
Characteristically, he puts his utterance into the mouth of a dreamy
German student, the shadowy Schramm who is but metaphysics embodied,
metaphysics finding apt expression in tobacco-smoke: "Keep but ever
looking, whether with the body's eye or the mind's, and you will soon
find something to look on! Has a man done wondering at women?--there
follow men, dead and alive, to wonder at. Has he done wondering at
men?--there's God to wonder at: and the faculty of wonder may be, at the
same time, old and tired enough with respect to its first object, and
yet young and fresh sufficiently, so far as concerns its novel one."
This wonder is akin to that 'insanity' of the poet which is but
impassioned sanity. Plato sums the matter when he says, "He who, having
no touch of the Muse's madness in his soul, comes to the door and thinks
he will get into the temple by the help of Art--he, I say, and his
poetry, are not admitted."
In that same wood beyond Dulwich to which allusion has already been
made, the germinal motive of "Pippa Passes" flashed upon the poet. No
wonder this resort was for long one of his sacred places, and that he
lamented its disappearance as fervently as Ruskin bewailed the
encroachment of the ocean of bricks and mortar upon the wooded privacies
of Denmark Hill.
Public-domain text, read in full here on John Shaqi.
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