Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
The monastery, however, is an establishment distinctly set off by
itself. It is in the world, but not of it. As you travel from the
castle, you presently enter fields unusually well cultivated. These
are part of the abbey lands. Then you come to a small village,
comparatively clean and well built, where the lay servitors of the
monks live with their families. Then straight ahead there rises a
strong battlemented wall of wide circuit surrounded by a water-filled
moat. Beyond this wall appear the spires and pinnacles of pretentious
buildings. The wall is needed to stand off attacks of bands of godless
men who dream even of plundering convents. There are a drawbridge,
portcullis, and strong gate. Inside you are within a little world. The
center is not the donjon, but the new monastery church, an elegant
pointed-arch structure almost equal to a small cathedral. Grouped
around it are numerous buildings--usually long, high, and narrow.
These are the dormitories, the refectory, the cloisters for the monks'
walks and study, as well as many less handsome barns, storehouses
and workhouses. There is a good-sized garden where rare herbs and
flowers are tended with loving care, and an orchard where fruit trees
are grafted with unusual skill. One even sees a slaughterhouse in a
convenient corner, a tannery (at a safe distance from the garden!) and
a building where the monks' garments can be spun and woven out of flax
and wool produced on the abbey lands. The monks of St. Aliquis are,
therefore, anything but droning hermits.
Some monasteries really comprise small towns. The famous establishment
at Cluny harbors four hundred monks; that at Clairvaux, seven hundred;
that at Vezelay, eight hundred. St. Aliquis is content with one hundred
and fifty brethren, but that number (plus the lay servitors) is enough
for a busy community. As has been said, the focus for its entire life
is the abbey church. Without a church building a monastery is almost
impossible. The choir is constantly needed for the recitation of the
canonical hours; many altars are required so that the monks who are in
holy orders may celebrate mass frequently; while the great processions
around the nave are part of the routine, especially on Sundays.
Abbot Victor, like all his predecessors, is straining every nerve to
gather funds to beautify his church. In it are deposited invaluable
saints' relics. It is hard, however, to convince the laity that they
are extremely sacred unless they are lodged in a splendid edifice.
The monks of rival monasteries are always comparing their churches
enviously. Victor has set his heart upon widening the transepts and
putting in a new rose window. If only a certain pious heiress in
Champagne would be called to heaven!
[Illustration: THE GALLERIES OF THE CLOISTER OF THE ABBEY OF
MONT-SAINT-MICHEL (THIRTEENTH CENTURY)]
[Sidenote: The Abbey Cloisters]
Public-domain text, read in full here on John Shaqi.
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