Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
Such are the ordinary articles of costume and adornment. One need not
dwell on the buckles and brooches, the golden pins and the jewel-set
necklets which Adela treasures in her coffers. They come from Oriental,
Byzantine, or Venetian workshops. Some are very beautiful, but fine
jewelry, generally speaking, has changed comparatively little from age
to age.
[Sidenote: Cosmetics and False Hair]
The baroness is not above certain frivolities of toilet herself, but
Alienor's approaching marriage has given her fair opportunity to
admonish the younger lady on the sins of false adornments. Indeed,
these iniquities are thundered against nearly every Sunday at the
churches, because the shrewd preachers know that all the men in the
congregation will grin approval the fiercer the invectives become.
Women are regularly accused "of turning their bodies out of their
natural form" by means of laces and stays, of dyeing their hair, of
painting their faces. It is affirmed that David was first impelled
to desire Bathsheba because she combed her long hair at a window
too openly, and all her sore troubles came justly upon her "for the
overgreat attention which she sinfully gave to the ornamenting of her
head."
Then, in another sermon, there is approvingly repeated the sarcastic
story by the monk Guyot of Provins, that the saints have brought suit
at the Assize of God against the race of women because the latter
have used so much color for their faces there is none left wherewith
to paint the holy images in the churches! The noble ladies are told
that when they smear on vermilion, saffron, or quicksilver, or apply
poultices of mashed beans and mare's milk to improve their complexions,
they are adding centuries to their durance in purgatory, if not taking
chances of eternal damnation.
[Illustration: COIFFURE OF A WOMAN
Thirteenth century (cathedral of Rheims).]
Lastly, there is the iniquity of false hair--as if the good God
did not know the proper amount of herbage to grow from each female
head! Once there was a holy man who could heal the sick. A young
noblewoman suffered from grievous headaches. The miracle worker took
one glance at her towering headpiece. "First," said he, "remove that
scaffolding which surmounts your head. Then will I pray for you with
great confidence." The sacrifice was too great, and she refused; yet
erelong her anguish became unendurable and the holy man was recalled.
He compelled her to cast away all her false hair and colored bands and
swear never to resume them. Immediately then he began to pray--and,
behold! her headache departed.
These sermons and Adela's sisterly warnings produce as much result as
such admonitions can. Alienor will go through life, now dreading for
her comeliness and now for her soul, but never quite imperiling either.
Yet she is surely less frivolous than the family rivals, the Foretvert
dames--who (tasteless creatures!) could adorn a whole cathedral of
saints' images with their paint pots.
Public-domain text, read in full here on John Shaqi.
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