An aristocratic character, the separation of an exoteric and an esoteric sphere, has been distinctive of an æsthetic conception of life from ancient times even until now. The fact appealed to in justification of its assumption of this character is beyond doubt: it is that, not only in art but in all spiritual creation, only few among those creating or reproducing stand high; that genuine creation always comes about in opposition to the mediocre; that if it identified itself with the interests and conditions of the majority it would be deeply degraded, indeed inwardly destroyed. But this is a contrast between spiritual creation and human circumstances, not a division of humanity according to two sets of circumstances; in truth, fewer of the really great than of those great in their own estimation have boasted of greatness. For the genuinely great have been occupied far too much by the demands of their task, and been too deeply conscious of the inadequacy of human capacity, to have been able to indulge in a reflection upon and a vain enjoyment of themselves. The infinity of the task by which, rather than by other men, they measured themselves made even the highest result appear inadequate to them. It is necessary to Individualism to represent the unmistakeable distinction between a culture that is genuinely spiritual and one that is merely human, as a difference between two classes of men; and it is only because it knows no objective restraint, no inner necessities, and can measure men only with men, that it is able to believe itself justified in looking down upon other men from its standpoint--as though the mere profession of faith in its programme at once effected an elevation of nature.