Life's Handicap: Being Stories of Mine Own PeopleKipling, Rudyard
History
Life's Handicap: Being Stories of Mine Own People
Kipling, Rudyard
India -- History -- British occupation, 1765-1947 -- Fiction; India -- Social life and customs -- Fiction; Short stories, English
One hot evening, while he sat on the roof between his father and mother
watching the never-ending warfare of the kites that the city boys flew,
he demanded a kite of his own with Pir Khan to fly it, because he had
a fear of dealing with anything larger than himself, and when Holden
called him a ‘spark,’ he rose to his feet and answered slowly in defence
of his new-found individuality, ‘Hum’park nahin hai. Hum admi hai [I am
no spark, but a man].’
The protest made Holden choke and devote himself very seriously to a
consideration of Tota’s future. He need hardly have taken the trouble.
The delight of that life was too perfect to endure. Therefore it was
taken away as many things are taken away in India--suddenly and without
warning. The little lord of the house, as Pir Khan called him, grew
sorrowful and complained of pains who had never known the meaning of
pain. Ameera, wild with terror, watched him through the night, and
in the dawning of the second day the life was shaken out of him by
fever--the seasonal autumn fever. It seemed altogether impossible
that he could die, and neither Ameera nor Holden at first believed the
evidence of the little body on the bedstead. Then Ameera beat her head
against the wall and would have flung herself down the well in the
garden had Holden not restrained her by main force.
One mercy only was granted to Holden. He rode to his office in broad
daylight and found waiting him an unusually heavy mail that demanded
concentrated attention and hard work. He was not, however, alive to this
kindness of the gods.
III
The first shock of a bullet is no more than a brisk pinch. The wrecked
body does not send in its protest to the soul till ten or fifteen
seconds later. Holden realised his pain slowly, exactly as he had
realised his happiness, and with the same imperious necessity for hiding
all trace of it. In the beginning he only felt that there had been a
loss, and that Ameera needed comforting, where she sat with her head on
her knees shivering as Mian Mittu from the house-top called, Tota! Tota!
Tota! Later all his world and the daily life of it rose up to hurt him.
It was an outrage that any one of the children at the band-stand in the
evening should be alive and clamorous, when his own child lay dead. It
was more than mere pain when one of them touched him, and stories told
by over-fond fathers of their children’s latest performances cut him to
the quick. He could not declare his pain. He had neither help, comfort,
nor sympathy; and Ameera at the end of each weary day would lead him
through the hell of self-questioning reproach which is reserved for
those who have lost a child, and believe that with a little--just a
little--more care it might have been saved.
Public-domain text, read in full here on John Shaqi.
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