Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
General
Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
The train did not stop at the petty roadside station that lay nearest
to Stickleford, and the trio went on to Casterbridge. Ned thought it a
good opportunity to make a few preliminary inquiries for employment at
workshops in the borough where he had been known; and feeling cold from
her journey, and it being dry underfoot and only dusk as yet, with a
moon on the point of rising, Car’line and her little girl walked on
toward Stickleford, leaving Ned to follow at a quicker pace, and pick
her up at a certain half-way house, widely known as an inn.
The woman and child pursued the well-remembered way comfortably enough,
though they were both becoming wearied. In the course of three miles
they had passed Heedless-William’s Pond, the familiar landmark by
Bloom’s End, and were drawing near the Quiet Woman Inn, a lone roadside
hostel on the lower verge of the Egdon Heath, since and for many years
abolished. In stepping up towards it Car’line heard more voices within
than had formerly been customary at such an hour, and she learned that
an auction of fat stock had been held near the spot that afternoon. The
child would be the better for a rest as well as herself, she thought,
and she entered.
The guests and customers overflowed into the passage, and Car’line had
no sooner crossed the threshold than a man whom she remembered by sight
came forward with glass and mug in his hands towards a friend leaning
against the wall; but, seeing her, very gallantly offered her a drink
of the liquor, which was gin-and-beer hot, pouring her out a tumblerful
and saying, in a moment or two: ‘Surely, ’tis little Car’line Aspent
that was—down at Stickleford?’
She assented, and, though she did not exactly want this beverage, she
drank it since it was offered, and her entertainer begged her to come
in farther and sit down. Once within the room she found that all the
persons present were seated close against the walls, and there being a
chair vacant she did the same. An explanation of their position
occurred the next moment. In the opposite corner stood Mop, rosining
his bow and looking just the same as ever. The company had cleared the
middle of the room for dancing, and they were about to dance again. As
she wore a veil to keep off the wind she did not think he had
recognized her, or could possibly guess the identity of the child; and
to her satisfied surprise she found that she could confront him quite
calmly—mistress of herself in the dignity her London life had given
her. Before she had quite emptied her glass the dance was called, the
dancers formed in two lines, the music sounded, and the figure began.
Public-domain text, read in full here on John Shaqi.
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