Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
General
Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
She flung up the veil, and cast her eyes upon him, as if imploring him
to withdraw himself and his acoustic magnetism from the atmosphere. Mop
opened one of his own orbs, as though for the first time, fixed it
peeringly upon her, and smiling dreamily, threw into his strains the
reserve of expression which he could not afford to waste on a big and
noisy dance. Crowds of little chromatic subtleties, capable of drawing
tears from a statue, proceeded straightway from the ancient fiddle, as
if it were dying of the emotion which had been pent up within it ever
since its banishment from some Italian city where it first took shape
and sound. There was that in the look of Mop’s one dark eye which said:
‘You cannot leave off, dear, whether you would or no!’ and it bred in
her a paroxysm of desperation that defied him to tire her down.
She thus continued to dance alone, defiantly as she thought, but in
truth slavishly and abjectly, subject to every wave of the melody, and
probed by the gimlet-like gaze of her fascinator’s open eye; keeping up
at the same time a feeble smile in his face, as a feint to signify it
was still her own pleasure which led her on. A terrified embarrassment
as to what she could say to him if she were to leave off, had its
unrecognized share in keeping her going. The child, who was beginning
to be distressed by the strange situation, came up and said: ‘Stop,
mother, stop, and let’s go home!’ as she seized Car’line’s hand.
Suddenly Car’line sank staggering to the floor; and rolling over on her
face, prone she remained. Mop’s fiddle thereupon emitted an elfin
shriek of finality; stepping quickly down from the nine-gallon
beer-cask which had formed his rostrum, he went to the little girl, who
disconsolately bent over her mother.
The guests who had gone into the back-room for liquor and change of
air, hearing something unusual, trooped back hitherward, where they
endeavoured to revive poor, weak Car’line by blowing her with the
bellows and opening the window. Ned, her husband, who had been detained
in Casterbridge, as aforesaid, came along the road at this juncture,
and hearing excited voices through the open casement, and to his great
surprise, the mention of his wife’s name, he entered amid the rest upon
the scene. Car’line was now in convulsions, weeping violently, and for
a long time nothing could be done with her. While he was sending for a
cart to take her onward to Stickleford Hipcroft anxiously inquired how
it had all happened; and then the assembly explained that a fiddler
formerly known in the locality had lately revisited his old haunts, and
had taken upon himself without invitation to play that evening at the
inn.
Ned demanded the fiddler’s name, and they said Ollamoor.
‘Ah!’ exclaimed Ned, looking round him. ‘Where is he, and where—where’s
my little girl?’
Public-domain text, read in full here on John Shaqi.
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