As we looked at the forms moving about in the Museum, we could not wonder that the Chinese consider us, who call ourselves the civilized world, barbarians, so deficient were those forms in the sort of refinement that the Chinese prize above all. And our people deserve it for their senselessness in viewing _them_ as barbarians, instead of seeing how perfectly they represent their own idea. They are inferior to us in important developments, but, on the whole, approach far nearer their own standard than we do ours. And it is wonderful that an enlightened European can fail to prize the sort of beauty they do develop. Sets of engravings we have seen representing the culture of the tea plant, have brought to us images of an entirely original idyllic loveliness. One long resident in China has observed that nothing can be more enchanting than the smile of love on the regular, but otherwise expressionless face of a Chinese woman. It has the simplicity and abandonment of infantine, with the fulness of mature feeling. It never varies, but it does not tire. The same sweetness and elegance stereotyped now, but having originally a deep root in their life as a race, may be seen in their poetry and music. The last we have heard, both from the voice and several instruments, at this Museum, for the first time, and were at first tempted to laugh, when something deeper forbade. Like their poetry, the music is of the narrowest monotony, a kind of rosary, a repetition of phrases, and, in its enthusiasm and conventional excitement, like nothing else in the heavens and on the earth. Yet both the poetry and music have in them an expression of birds, roses, and moonlight; indeed, they suggest that state where "moonlight, and music, and feeling are one," though the soul seems to twitter, rather than sing of it. It is wonderful with how little practical insight travellers in China look on what they see. They seem to be struck by points of repulsion at once, and neither see nor tell us what could give any real clew to their facts. I do not speak now of the recent lecturers in this city, for I have not heard them; but of the many, many books into which I have earlier looked with eager curiosity,--in vain,--I always found the same external facts, and the same prejudices which disabled the observer from piercing beneath them. I feel that I know something of the Chinese when reading Confucius, or looking at the figures on their tea-cups, or drinking a cup of _genuine_ tea--rather an unusual felicity, it is said, in this ingenious city, which shares with the Chinese one trait at least. But the travellers rather take from than add to this knowledge; and a visit to this Museum would give more clear views than all the books I ever read yet.