French fiction -- 20th century; World War, 1914-1918 -- Fiction
In war, which was once like the open country and is now wholly like
towns--and even like one immense building--one hardly sees the men. On
the round-ways and the casemates, the footbridges and the movable
platforms, among the labyrinth of concrete caves, above the regiment
echelonned downwards in the gulf and enormously upright,--one sees a
haggard herd of wan and stooping men, men black and trickling, men
issuing from the peaty turf of night, men who came there to save their
country. They earthed themselves up in some zone of the vertical
gorges, and one sees them, in this more accursed corner than those
where the hurricane reels. One senses this human material, in the
cavities of those smooth grottoes, like Dante's guilty shades.
Infernal glimmers disclose ranged lines of them, as long as roads,
slender and trembling spaces of night, which daylight and even sunshine
leave befouled with darkness and cyclopean dirt. Solid clouds overhang
them and hatchet-charged hurricanes, and leaping flashes set fire every
second to the sky's iron-mines up above the damned whose pale faces
change not under the ashes of death. They wait, intent on the
solemnity and the significance of that vast and heavy booming against
which they are for the moment imprisoned. They will be down forever
around the spot where they are. Like others before them, they will be
shrouded in perfect oblivion. Their cries will rise above the earth no
more than their lips. Their glory will not quit their poor bodies.
Public-domain text, read in full here on John Shaqi.
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