French fiction -- 20th century; World War, 1914-1918 -- Fiction
We pass along the base of the church. Marie says to me--as if nothing
had just been said, "Look how the poor church was damaged by a bomb
from an aeroplane--all one side of the steeple gone. The good old
vicar was quite ill about it. As soon as he got up he did nothing else
but try to raise money to have his dear steeple built up again; and he
got it."
People are revolving round the building and measuring its yawning
mutilation with their eyes. My thoughts turn to all these passers-by
and to all those who will pass by, whom I shall not see, and to other
wounded steeples. The most beautiful of all voices echoes within me,
and I would fain make use of it for this entreaty, "Build not the
churches again! You who will come after us, you who, in the sharp
distinctness of the ended deluge will perhaps be able to see the order
of things more clearly, don't build the churches again! They did not
contain what we used to believe, and for centuries they have only been
the prisons of the saviours, and monumental lies. If you are still of
the faith have your temples within yourselves. But if you again bring
stones to build up a narrow and evil tradition, that is the end of all.
In the name of justice, in the name of light, in the name of pity, do
not build the churches again!"
But I did not say anything. I bow my head and walk more heavily.
I see Madame Marcassin coming out of the church with blinking eyes,
weary-looking, a widow indeed. I bow and approach her and talk to her
a little, humbly, about her husband, since I was under his orders and
saw him die. She listens to me in dejected inattention. She is
elsewhere. She says to me at last, "I had a memorial service since
it's usual." Then she maintains a silence which means "There's nothing
to be said, just as there's nothing to be done." In face of that
emptiness I understand the crime that Marcassin committed in letting
himself be killed for nothing but the glory of dying.
* * * * * *
CHAPTER XIX
GHOSTS
We have gone out together and aimlessly; we walk straight forward.
It is an autumnal day--gray lace of clouds and wind. Some dried leaves
lie on the ground and others go whirling. We are in August, but it is
an autumn day all the same. Days do not allow themselves to be set in
strict order, like men.
Our steps take us in the direction of the waterfall and the mill. We
have seldom been there again since our engagement days. Marie is
covered in a big gray cloak; her hat is black silk with a little square
of color embroidered in front. She looks tired, and her eyes are red.
When she walks in front of me I see the twisted mass of her beautiful
fair hair.
Public-domain text, read in full here on John Shaqi.
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