The Revolutionary authorities saw reaction in everything, even in
playing-cards, and in 1792 they arrived at the conclusion that the
kings were but antiquated symbols of tyranny, and attempted to
substitute a card called the "pouvoir exécutif" in their place. Players
using these new-fashioned cards, instead of speaking of the king of
hearts or clubs, were obliged to say the "pouvoir exécutif" of hearts
and so on. Citizens Dajouré and Jaume, however, improved upon this,
and invented a new sort of pack in which the king became "le génie,"
the queen "liberty," the knave "equality," and the ace "law." Hearts,
clubs, spades, and diamonds were changed into peace, war, art, and
commerce. The cards in question, it may be added, made no successful
appeal to gamblers, who continued to prefer the sort still in general
use. They were, however, extremely prettily designed, and are now
reckoned amongst the artistic curiosities produced by the Revolution.
During our war with France some French prisoners at Deal were once
rather amusingly rebuked for their anti-monarchical tendencies by a
private of the West Essex Militia, which regiment was then quartered at
Deal. The man in question had been begged by the prisoners to procure
them a pack of cards, which he did when off his duty; but before
he delivered the cards, picked out the four kings. The Frenchmen,
discovering the deficiency, said the pack was imperfect, having no
kings in it. "Why," replied the soldier, "_if you can fight without a
king, surely you can play without one_!"
The Palais Royal, called during the Revolution the Palais Égalité, soon
became the most famous gambling-resort in the world--to-day it is but
a pathetic shadow of its former self. Built in imitation of the Piazza
San Marco at Venice by Cardinal Richelieu and bequeathed by him to
Louis XIII., the palace in question was in course of time given by the
Roi Soleil to his brother and thus became the property of the Orléans
family. Fantastically extravagant and crippled by debts, Philippe
Égalité first conceived the idea of putting the noble building raised
by the great Cardinal to a commercial use, continuing to obtain a very
large sum by letting out suitable parts as shops, gaming-houses, and
restaurants, some of them of a rather questionable nature.
The Palais Royal, before it contained shops and gaming-tables, had
been the resort of all that was most aristocratic in Paris. Walks and
flower-beds abounded, whilst on the southern side was an alley of
ancient chestnut trees of great antiquity, the destruction of which
provoked much indignation and sorrow.
The transformation of the historic palace and grounds into a bazaar
effected a great change in the habits of the Parisians, who, without
distinction of rank or class, flocked to the spot which, since the
stately days of Anne of Austria, had been the evening promenade of good
society alone.
Public-domain text, read in full here on John Shaqi.
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