Light Science for Leisure Hours: A series of familiar essays on scientific subjects, natural phenomena, &c.Proctor, Richard A. (Richard Anthony)
Science
Light Science for Leisure Hours: A series of familiar essays on scientific subjects, natural phenomena, &c.
Proctor, Richard A. (Richard Anthony)
Science
the ‘molecular activity,’ floats about at a height of five feet, or
thereabouts.
After this, one begins to recognise the manner in which some diseases
propagate themselves. What had been mysterious in the history of
plagues and pestilences seems to receive at least a partial solution.
Take cholera, for example. It has been shown by the clearest and most
positive evidence that this disease is not propagated in any way
save one—that is, by the actual swallowing of the cholera poison. In
Professor Thudichum’s masterly paper on the subject in the ‘Monthly
Microscopical Journal,’ it is stated that doctors have inhaled a full
breathing from a person in the last stage of this terrible malady
without any evil effects. Yet the minutest atom of the cholera poison
received into the stomach will cause an attack of cholera. A small
quantity of this matter drying on the floor of the patient’s room, and
afterwards caused to float about in the form of dust, would suffice to
prostrate a houseful of people. We can understand, then, how matter
might be flung into the streets, and, after drying, its dust be wafted
through a whole district, causing the death of hundreds. One of the
lessons to be learned from these interesting researches of Mr. Dancer
is clearly this, that the watering-cart should be regarded as one
of the most important of our hygienic institutions. Supplemented by
careful scavengering, it might be effective in dispossessing many a
terrible malady which now holds sway from time to time over our towns.
(From the _Daily News_, March 6, 1869.)
_PHOTOGRAPHIC GHOSTS._
On the outskirts of the ever-widening circle lighted up by science
there is always a border-land wherein superstition holds sway. ‘The
arts and sciences may drive away the vulgar hobgoblin of darker days;
but they bring with them new sources of illusion. The ghosts of old
could only gibber; the spirits of our day can read and write, and
play on divers musical instruments, and quote Shakespeare and Milton.
It is not, therefore, altogether surprising to learn that they can
take photographs also. You go to have your photograph taken, we will
suppose, desiring only to see your own features depicted in the
_carte_; and lo! the spirits have been at work, and a photographic
phantom makes its appearance beside you. It is true this phantom is of
a hazy and dubious aspect: the ‘dull mechanic ghost’ is indistinct,
and may be taken for anyone. Still, it is not difficult for the eye
of fancy to trace in it the lineaments of some departed friend, who,
it is to be assumed, has come to be photographed along with you. In
fact, photography, according to the spiritualist, resembles what Byron
called—
The lightning of the mind,
Which out of things familiar, undesigned,
When least we deem of such, calls up to view
The spectres whom no exorcism can bind.
Public-domain text, read in full here on John Shaqi.
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