Lights and Shadows of New York Life: or, the Sights and Sensations of the Great CityMcCabe, James Dabney
History
Lights and Shadows of New York Life: or, the Sights and Sensations of the Great City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social life and customs -- 19th century
"The Briggs family spend their winters in town, their summers at Newport,
Saratoga, or some other watering-place, at which nobody cares anything
about the water. The frequenters of these rural or seaside retreats are
presumed to come for their health, but really come to show their dresses.
Thus Miss Flora's life varies very little all the year round; she rises
late, and is dressed for breakfast; after breakfast she practises upon
the piano, shops with her mamma, and returns to be dressed for luncheon;
after luncheon she usually takes a brief nap, or lies down to read a
novel, and is then dressed for the afternoon promenade, as you have just
seen her; after the promenade she is dressed for a drive with mamma in
the Central Park; after the drive she is dressed for dinner, or dines in
her out-of-door costume, preparatory to being dressed for the opera, the
theatre, a ball, or a party. Every Tuesday she receives calls; every
Thursday she calls upon her acquaintances. Whenever she has a spare
moment, it is bestowed upon her dressmaker. If she thinks, it is to
design new trimmings; if she dreams, it is of a heavenly _soiree
dansante_, with an eternal waltz to everlasting music, and a tireless
partner in paradisiacal Paris.
"As all the best and--in a double sense--the dearest things of Miss
Flora's life come from Paris, it is quite natural that she should look to
Paris for her future. The best of all authorities declares that 'where
the treasure is there will the heart be also.' Miss Flora's treasures
are in the Parisian _magasins_, and her heart is with them. Although
scores of young men kneel at her feet, press her hands, and deride the
stars in comparison with her eyes, she cares for none of her worshippers.
She smiles upon them, but the smile is no deeper than the lips; she
flirts with them, but stops at that sharp, invisible line which separates
a flirtation from a compromising earnestness; she is a coquette, but not
a jilt. If she encourages all, it is because she prefers none. Her
heart has never been touched, and she knows that none of her admirers in
her own country can hope to touch it. Her rivals scornfully assert that
she has no heart; but as she is, after all, a woman, this assertion must
be incorrect. She is in love with an ideal, but that ideal has a title.
So soon as Mr. Briggs can dispose of his business, Miss Flora is to be
taken to Paris. Within two years afterwards she will be led to the altar
by a French duke, marquis, or count, who will fall in love with her
father's bank-book, and then she will figure as an ornament of the French
Court, or the _salons_ of the Faubourg Saint-Germain. This is her
ambition, and she will certainly accomplish it. The blood of the Van
Duysens and the money of Briggs can accomplish anything when united in
Miss Flora. With this end in view, the little lady is as inaccessible to
ordinary admirers as a princess. She is a duchess by anticipation, and
feels the pride of station in advance.
Public-domain text, read in full here on John Shaqi.
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