Lights and Shadows of New York Life: or, the Sights and Sensations of the Great CityMcCabe, James Dabney
History
Lights and Shadows of New York Life: or, the Sights and Sensations of the Great City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social life and customs -- 19th century
Both Jourdan and Kelso were agreed that this theory of the commission of
the crime was correct, and this led to the inevitable conclusion that the
murder was the work of an "outsider," that is, of some one not properly
belonging to the criminal class. The weapon with which the murder had
been committed was one which the Detectives had never before encountered
in the annals of crime, and its appearance indicated long use in its
legitimate sphere. No burglar or professional thief would have used it,
and none of the inmates of the house recognized it as belonging to the
mansion. Again, the professional thief would have despatched his victim
with more speed and less brutality. There was not the slightest sign of
the thief having forced an entrance into the mansion, and the most rigid
search failed to reveal the mark of a burglar's tool on any of the doors
or windows. This fact warranted the conclusion that the murderer had
secreted himself in the house during the day. From the first Jourdan was
convinced that the assassin was one of a class who pursue an honest trade
during the day, and seek to fill their pockets more rapidly by committing
robberies at night. From this conviction he never wavered.
As he stood by the side of the murdered man, Jourdan recognized the
difficulty of the task of finding the assassin. The "dog" bewildered
him. Had the weapon been any kind of a burglar's tool, or anything that
any description of thief had ever been known to use, he would have been
able to trace it to some one in the city; but the facts of the case
plainly indicated that the assassin was an "outsider," and even Jourdan
and Kelso were at a loss to know how to proceed to find him.
Public-domain text, read in full here on John Shaqi.
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