Lights and Shadows of New York Life: or, the Sights and Sensations of the Great CityMcCabe, James Dabney
History
Lights and Shadows of New York Life: or, the Sights and Sensations of the Great City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social life and customs -- 19th century
In many respects Bleecker street is more characteristic of Paris than of
New York. It reminds one strongly of the Latin Quarter, and one
instinctively turns to look for the _Closerie des Lilas_. It is the
headquarters of Bohemianism, and Mrs. Grundy now shivers with holy horror
when she thinks it was once her home. The street has not entirely lost
its reputation. No one is prepared to say it is a vile neighborhood; no
one would care to class it with Houston, Mercer, Greene, or Water
streets; but people shake their heads, look mysterious, and sigh
ominously when you ask them about it. It is a suspicious neighborhood,
to say the least, and he who frequents it must be prepared for the gossip
and surmises of his friends. No one but its denizens, whose discretion
can be absolutely trusted, knows anything with certainty about its doings
or mode of life, but every one has his own opinion. Walk down it at
almost any hour of the day or night, and you will see many things that
are new to you. Strange characters meet you at every step; even the
shops have a Bohemian aspect, for trade is nowhere so much the victim of
chance as here. You see no breach of the public peace, no indecorous act
offends you; but the people you meet have a certain air of independence,
of scorn, of conventionality, a certain carelessness which mark them as
very different from the throng you have just left on Broadway. They
puzzle you, and set you to conjecturing who they are and what they are,
and you find yourself weaving a romance about nearly every man or woman
you meet.
That long-haired, queerly dressed young man, with a parcel under his arm,
who passed you just then, is an artist, and his home is in the attic of
that tall house from which you saw him pass out. It is a cheerless
place, indeed, and hardly the home for a devotee of the Muse; but the
artist is a philosopher, and he flatters himself that if the world has
not given him a share of its good things, it has at least freed him from
its restraints, and so long as he has the necessaries of life and a lot
of jolly good fellows to smoke and drink and chat with him in that lofty
dwelling place of his, he is content to take life as he finds it.
Public-domain text, read in full here on John Shaqi.
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