Lightships and LighthousesTalbot, Frederick Arthur Ambrose
History
Lightships and Lighthouses
Talbot, Frederick Arthur Ambrose
Lighthouses
A mere hulk would be the most apt description as applied to the average
lightship. It is intended to cling to one spot through thick and thin,
and not to move about. In the majority of instances the vessel is
without any propelling or sailing accessories. If it should happen to
break its leashes, it then becomes the sport of the waves, as helpless
as a derelict, until its signals of distress are espied and it is
picked up by a passing vessel. Although every precaution is adopted
to preserve the lightship from this mishap, when the waves become
exceptionally heavy and violent the strongest chains are apt to snap
under the sawing and tugging of the vessel. In one or two instances
lively times have been experienced by the handful of men on board,
especially off the wicked stretches of the American seaboard which is
exposed to the attack of hurricane and cyclone.
[Illustration:
_Photo, Paul, Penzance._
THE “SEVEN-STONES” LIGHTSHIP.
This vessel, probably occupying the most exposed position around
England, marks a terrible danger spot off the Cornish coast.]
In her helplessness, the light-vessel depends upon the friendly aid
of any craft. The rescuer may be the alert tender, which, having
received intimation that the floating beacon has got adrift, raises
steam in all haste, hurries out, scours the seas for the wanderer,
recovers and rechains her to the danger spot below. Or it may be that
a passing· steamer sights the breakaway, retrieves and restores her to
the allotted position, making her temporarily secure, and reporting her
condition when passing or entering a port.
The lightship may be identified easily. There is nothing inspiring
about her lines. Her ugly hull, built for strength and not beauty,
is painted red, black, or white, according to the colour practice
of the country to which she belongs, while on her sides in huge
letters, stretching almost from water-line to taffrail, is the name
of her station, “Nore,” “Seven Stones,” “Norderney,” “Ruytingen,”
“Fire Island,” or whatever it may be. Nor is this the sole means
of identification. From afar the mariner learns her character and
business by a huge skeleton sphere, a triangular cage, or some other
device, carried at the top of the mast or masts. At night a lantern,
entirely surrounding the mast, and large enough to enable a person
to stand upright within to trim the lamps, throws its warning glare
from an elevation about halfway between the deck and the mast-top with
the intensity of 12,000 or more candles. Oil is the illuminant most
generally employed for the purpose, although in one or two instances
electric light is used.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account