Crete (Greece) -- History -- Insurrection, 1866-1868 -- Fiction
It is easy to see that things are not running smoothly in Kostakes'
harem, and the reason is this: Until recently Ferende has been the
favorite, and the two elder wives have been little more than her
servants. The appearance of Panayota has led them to believe that a
new mistress will soon be established in the household, and they are
looking forward with great delight to the degradation of Ferende. The
latter, fearing her own downfall, has not openly declared war against
her two associates, but is racking her brain night and day in search of
some method by which to enlist them with her against Panayota.
Ayesha now sits with her bare feet crossed under her, upon a rug spread
on the earthen floor of the court. Before her is a charcoal fire,
suspended over which on two crotches driven into the ground is a thing
like a section of stove pipe, closed at the ends. An iron rod, running
lengthwise of this contrivance, rests upon the crotches and is bent at
one extremity into a crank.
Souleima removes her outer garments and appears arrayed like her
sisters, in baggy breeches drawn tight about the ankle, and a loose
fitting shirt. She kicks off her slippers and walks in her stockinged
feet to the coffee roaster.
"Is it ready yet, Ayesha?" she asks, opening a little door in one side
of the cylinder, and letting out a black cloud of aroma.
"Can I take out enough for one little cup?"
"You might find enough for two while you are about it."
"Yes, even for three. Poor Ferende, she will soon have to grind her
own coffee, and Panayota's, too."
Souleima produced a wooden spoon from the drawer of a pine table
standing beneath the garden's one mulberry tree, and dipped a quantity
of the brown smoking berries into one of those cylindrical brass mills
which are sold by wandering gypsies to the housewives of the orient.
Sitting on the table's edge, she grasped the mill with her left hand
and firmly embedded one end of it in the fat of her corpulent stomach,
while she turned the tiny crank with her right.
The ladies of Kostakes' household could converse or carry on their
domestic vocations without fear of intruding eyes. The wall was very
high, and the one house near enough to overlook it had no windows on
that side. A pleasant place was that enclosure, albeit two long,
shallow, rectangular tubs leaned against the wall of the house, taking
the place of the legendary guitar. They were washtubs, and upon them
Ayesha and Souleima from time to time played the stern music of
necessity. A huge copper kettle, with a very black bottom, stood near,
another adjunct of the home laundry. In the middle of the court was a
stone basin, into which water ran through a tiny channel from the
hydrant in the wall.
Public-domain text, read in full here on John Shaqi.
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