Lillian Morris, and Other StoriesSienkiewicz, Henryk
General
Lillian Morris, and Other Stories
Sienkiewicz, Henryk
Frontier and pioneer life -- West (U.S.) -- Fiction; Short stories, Polish -- Translations into English
In a few minutes after the alguazils have vanished, the widest gate
is thrown open, and a whole company enters. At the head of it ride
the same two alguazils whom we saw before the royal box; after them
advance a rank of capeadors; after the capeadors come “banderilleros,”
and the procession is concluded by picadors. This entire party is
shining with all the colors of the rainbow, gleaming from tinsel, gold,
silver, and satins of various colors. They come out from the dark side
to the sunlighted arena, dive into the glittering light, and bloom
like flowers. The eye cannot delight itself sufficiently with the many
colors of those spots on the golden sand.
Having reached the centre, they scatter on a sudden, like a flock of
butterflies. The picadors dispose themselves around at the paling, and
each one drawing his lance from its rest, grasps it firmly in his right
hand; the men on foot form picturesque groups; they stand in postures
full of indifference, waiting for the bull.
This is perhaps the most beautiful moment of the spectacle, full of
originality, so thoroughly Spanish that regret at not being a painter
comes on a man in spite of himself. How much color, what sunlight might
be transferred from the palette to the canvas!
Soon blood will be flowing on that sand. In the circus it is as still
as in time of sowing poppy seed,—it is barely possible to hear the
sound of fans, which move only in as much as the hands holding them
quiver from impatience. All eyes are turned to the door through which
the bull will rush forth. Time now is counted by seconds.
Suddenly the shrill, and at the same time the mournful, sound of a
trumpet is heard in the orchestra; the door of the stable opens with a
crash, and the bull bursts into the arena, like a thunderbolt.
That is a lordly beast, with a powerful and splendid neck, a head
comparatively short, horns enormous and turned forward. Our heavy
breeder gives a poor idea of him; for though the Spanish bull is not
the equal of ours in bulk of body, he surpasses him in strength, and,
above all, in activity. At the first cast of the eye you recognize a
beast reared wild in the midst of great spaces; consequently with all
his strength he can move almost as swiftly as a deer. It is just this
which makes him dangerous in an unheard of degree. His forelegs are a
little higher than his hind ones; this is usual with cattle of mountain
origin. In fact, the bulls of the circus are recruited especially from
the herds in the Sierra Morena. Their color is for the greater part
black, rarely reddish or pied. The hair is short, and glossy as satin;
only the neck is covered somewhat with longer and curly hair.
After he has burst into the arena, the bull slackens his pace toward
the centre, looks with bloodshot eyes to the right, to the left,—but
this lasts barely two seconds; he sees a group of capeadors; he lowers
his head to the ground, and hurls himself on them at random.
Public-domain text, read in full here on John Shaqi.
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