Lillian Morris, and Other StoriesSienkiewicz, Henryk
General
Lillian Morris, and Other Stories
Sienkiewicz, Henryk
Frontier and pioneer life -- West (U.S.) -- Fiction; Short stories, Polish -- Translations into English
Suddenly the bull rushes forward like a rock rolling down from a
mountain. In the twinkle of an eye you see the lance bent like a bow;
the sharp end of it is stuck in the shoulder of the bull,—and then is
enacted a thing simply dreadful: the powerful head and neck of the
furious beast is lost under the belly of the horse, his horns sink
their whole length in the horse’s intestines; sometimes the bull lifts
horse and rider, sometimes you see only the upraised hind part of the
horse, struggling convulsively in the air. Then the rider falls to the
ground, the horse tumbles upon him, and you hear the creaking of the
saddle; horse, rider, and saddle form one shapeless mass, which the
raging bull tramples and bores with his horns.
Faces unaccustomed to the spectacle grow pale. In Barcelona and Madrid
I have seen Englishwomen whose faces had become as pale as linen.
Every one in the circus for the first time has the impression of a
catastrophe. When the rider is seen rolled into a lump, pressed down
by the weight of the saddle and the horse, and the raging beast is
thrusting his horns with fury into that mass of flesh, it seems that
for the man there is no salvation, and that the attendants will raise a
mere bloody corpse from the sand.
But that is illusion. All that is done is in the programme of the
spectacle.
Under the white leather and tinsel the rider has armor which saves him
from being crushed,—he fell purposely under the horse, so that the
beast should protect him with his body from the horns. In fact the
bull, seeing before him the fleshy mass of the horse’s belly, expends
on it mainly his rage. Let me add that the duration of the catastrophe
is counted by seconds. The capeadors have attacked the bull from
every side, and he, wishing to free himself from them, must leave his
victims. He does leave them, he chases again after the capeadors; his
steaming horns, stained with blood, seem again to be just touching
the capeadors’ shoulders. They, in escaping, lead him to the opposite
side of the arena; other men meanwhile draw from beneath the horse the
picador, who is barely able to move under the weight of his armor, and
throw him over the paling.
The horse too tries to raise himself: frequently he rises for a moment,
but then a ghastly sight strikes the eye. From his torn belly hangs
a whole bundle of intestines with a rosy spleen, bluish liver, and
greenish stomach. The hapless beast tries to walk a few steps; but his
trembling feet tread on his own entrails, he falls, digs the ground
with his hoofs, shudders. Meanwhile the attendants run up, remove the
saddle and bridle, and finish the torments of the horse with one stab
of a stiletto, at the point where head and neck come together.
Public-domain text, read in full here on John Shaqi.
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