Limanora : $b the island of progressSweven, Godfrey
Science
Limanora : $b the island of progress
Sweven, Godfrey
Islands of the Pacific -- Fiction; Science fiction; Utopias -- Fiction
The particular elements of which any kind of plant or flower
robbed the soil were accurately ascertained, and their chemistry
enabled them with ease to supply the deficiency after a crop had been
removed.
The gardening family had to be familiar on the one hand with the
innermost secrets of psychology, and on the other with the last
discoveries of the more material sciences; for no one could avoid the
effects of the flowers and trees, as he could painting and sculpture,
music and firlamai. Gardening, in short, was the most public of all the
arts and the most pervasive in its results. A garden (and in Limanora
there was only one vast garden) was a great mnemonic instrument, which
could play upon the souls of the whole community at once. That it
should not be in the hands of novices, or of unwise or wrong-thoughted
men and women, was one of the prime cares of the people. Of all
families those that managed the garden of the island had to be most
simple-hearted and true, most sure in their knowledge of the human
heart, and most eager to stir to what is great and noble and humane.
They were the lords of the sense of smell, one of the most immediate
portals to memory and to imagination. To have the complete command
of one out of the six dominant sense-entrances to the soul was, they
considered, the greatest of responsibilities, and no care was neglected
in selecting, purifying, and training the families of gardeners.
They, too, had the superintendence of Ilarime, a structure devoted to
the arts of smell, taste, and sound combined. Aided by the musicians
and the chemists, they produced symphonies which appealed to all
three senses and roused the imagination to exceptional flights. The
imaginative or pioneering families frequented the halls of this great
building daily in pursuit of new stimulus to their faculty. Every
chamber in it had special emotions to rouse. A garden could have only
a mingled effect upon the memory and mnemonic imagination; Ilarime
separated the effects and classified the emotions and imaginative
ideas which were to be stimulated. Anyone entering could find out at
the porch, either by looking in the index-chamber or by consulting
one of the superintendents, what hall or halls he ought to rest in. I
had often during my education to take refuge in Ilarime, when clogged
in my endeavours to advance by dulness of memory or imagination or by
the weakness of some emotion. After a time I did not need to consult a
guide; I knew what element in my soul was deficient and what emotion or
memory would stir it to activity, and by aid of the index-hall and its
graphic representation of the effect of every chamber upon the spirit I
could choose what symphony I needed. As soon as I had entered the hall
that I had chosen, I lay down on one of their hanging rests and shut
my eyes. At once the medicated atmosphere began to affect my palate,
whilst the delicate perfume entered my nostrils and my ears drank in
the sweet-sounding music.
Public-domain text, read in full here on John Shaqi.
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