English drama -- 20th century; English fiction -- 20th century; Short stories, English
It was at this point that a heavy footstep was heard and a hand
rattled at the door. Marjorie and George moved a little farther apart.
The intruder was Roger, who bustled in, rubbing his hands with an air
of conscious heartiness, studiously pretending that nothing untoward
had occurred. It is our English tradition that we should conceal our
emotions. "Well, well," he said. "I think we had better be going in to
luncheon. The bell has gone."
EUPOMPUS GAVE SPLENDOUR TO ART BY NUMBERS
"I HAVE made a discovery," said Emberlin as I entered his room.
"What about?" I asked.
"A discovery," he replied, "about _Discoveries_." He radiated an
unconcealed satisfaction; the conversation had evidently gone exactly
as he had intended it to go. He had made his phrase, and, repeating it
lovingly--"A discovery about _Discoveries_"--he smiled benignly at me,
enjoying my look of mystification--an expression which, I confess, I
had purposely exaggerated in order to give him pleasure. For Emberlin,
in many ways so childish, took an especial delight in puzzling and
nonplussing his acquaintances; and these small triumphs, these little
"scores" off people afforded him some of his keenest pleasures. I
always indulged his weakness when I could, for it was worth while
being on Emberlin's good books. To be allowed to listen to his
post-prandial conversation was a privilege indeed. Not only was he
himself a consummately good talker, but he had also the power of
stimulating others to talk well. He was like some subtle wine,
intoxicating just to the Meredithian level of tipsiness. In his
company you would find yourself lifted to the sphere of nimble and
mercurial conceptions; you would suddenly realize that some miracle
had occurred, that you were living no longer in a dull world of
jumbled things but somewhere above the hotch-potch in a glassily
perfect universe of ideas, where all was informed, consistent,
symmetrical. And it was Emberlin who, godlike, had the power of
creating this new and real world. He built it out of words, this
crystal Eden, where no belly-going snake, devourer of quotidian dirt,
might ever enter and disturb its harmonies. Since I first knew
Emberlin I have come to have a greatly enhanced respect for magic and
all the formules of its liturgy. If by words Emberlin can create a new
world for me, can make my spirit slough off completely the domination
of the old, why should not he or I or anyone, having found the
suitable phrases, exert by means of them an influence more vulgarly
miraculous upon the world of mere things? Indeed, when I compare
Emberlin and the common or garden black magician of commerce, it seems
to me that Emberlin is the greater thaumaturge. But let that pass; I
am straying from my purpose, which was to give some description of the
man who so confidentially whispered to me that he had made a discovery
about _Discoveries_.
Public-domain text, read in full here on John Shaqi.
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