Limehouse (London, England) -- Fiction; Short stories, English
The evening was at once heartsome and subdued. On the deck of a Nippon
the dear, drunken devils of yellow seamen were making soft music on
Chinese guitars. A steady frost had settled and, with complete darkness,
the usually lowering streets of the Asiatic quarter seemed strangely wide
and frank. A fat-faced moon was slowly rising. The waters were swift and
limpid, sprinkled with timid stars, and seemed to promise a very blessed
time to the weary. On the corner by the dock gates the Blue Lantern shone
sharp, like a cut gem. He lounged over the side of the bridge, and, so
still was the night, he could almost hear a goods train shunt. It was
still enough to bring from a narrow street, flanked by two tremendous
walls, a curious sound of _sup-sup, sup-sup_.
Perce Sleep heard it. “Bloody Chinks!” he growled. The next moment the
_sup-sup_ came from behind him, and a hand fell on his shoulder. A yellow
face peered at him. It was old, flabby, steamy.
“’Ullo, li’l Perce!” The words came so musically that one would have said
they were sung.
“’Ullo, Chopstick. Gointer buy us a beer?”
“Les. Co’long Shaik Yip. Have plelty beer.”
“Aw right. Look ’ere, Chinky, I’m in a mess. You’re all right for the
ready, everyone says. Got a pot o’ the dibs, I reckon. Now look ’ere ...
would you.... I mean ... will yeh be a sport, and——”
“Ao.” Shaik Yip smiled a meaningless Oriental smile. “Perce want money.
Ao. Perce and Shaik Yip talk business. Co’long. Co’long.”
And they entered the Blue Lantern and ordered two Gypsy’s Warnings and
some of the Nearer-my-God-to-Thee sandwiches.
* * * * *
The Sleep _ménage_ was not such as one would turn to happily, when weary,
for repose. Perce lived with his stepfather, a paralytic, and the old
man’s daughter, a “softie.” The old man, a mass of helpless flesh, lived
in a chair by the fireside. He had been a stevedore in his time, and his
great shaggy head, his rolling shoulders, and the long, thick arms, all
now as white and motionless as death, told a tale of superb strength in
youth. There he sat now, and there he was fed and tended and washed. The
only life that had been left him was his voice, and of this there only
remained a thin piping, so that he was known locally as Old Joe, after
that Fleet Street notability who, every morning at ten-thirty in the
Fourth Edition, gives the world his famous treble.
His daughter, a slip of a girl, was the mother of the house. Her face had
that arresting beauty sometimes seen in the faces of the vacant-minded.
There was nothing of the idiot about her, save in her talk and her simple
character. She managed the house, and she managed Old Joe, and she strove
hard to manage the waster, Perce.
“Wis’ful,” someone had said. “Wis’ful—that’s ’ow she looks. Like as if
she was wanting to catch ’old of something that ain’t there.”
As for Perce, he only ate and drank and slept at the house, and had
little to do with Fanny, save to borrow coppers from her.
Public-domain text, read in full here on John Shaqi.
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