Limehouse (London, England) -- Fiction; Short stories, English
You can’t wonder. That is precisely what Myra did. She loved Ding-Dong.
She loved him for his superb animal body, and also for his clear honesty,
strength and absurdly beautiful ideas of playing the game. She hoped she
had cured him of those ideas on the night upon which she now let her
memory stretch itself. On that night Ding-Dong had come to the little
lurking cottage near the raucous water-side, and found her alone; and,
he being full of beer and the intent glee of the moment, had tried to
kiss Myra. She had repulsed him with a push in the mouth that had made
him angry, and he returned to the assault. His large, neat hand had
caught the collar of her blouse and ripped it fully open. His free arm
had slipped her waist and twisted her off her feet. Then he flew at her
as a hawk at its prey. A beast leapt within him and devoured all reason.
He crushed her against him, and, as their bodies met in contact, she
gasped, resisted his embraces with a brief and futile violence, and, the
next moment, he found himself holding a limp and surrendered body.
“Let me go, Ding-Dong,” she had cried.
“No; I’ll be damned if I do!”
“I’d just hate for you to be damned, Ding-Dong,” she had said, nestling
to him with an expression at once shy and wild. Then wonder awoke within
their hearts, wonder of themselves and of one another and of the world,
till, very suddenly, the beer went out of him and he flung her aside, and
bowed his head, and turned to the door.
“Where are you going, Ding-Dong?”
“’Eh? Oh, home. I’m sorry. I fergot. I was a bit on, I think. I been a
beast.”
“No, you ’aven’t.”
“But I should ’ave been, if I ’adn’t remembered. P’r’aps you’ll fergive
me later on. Bye-bye.”
“But you ain’t really going?”
“Yerss.”
“But—here—going?”
“Yerss.”
“Well....” She looked at him, then lifted a delicate finger and pulled
his ear. “Well ... you damn fool!”
And somehow he felt that he was.
He felt it so keenly that it seemed to be up to him to repudiate the
soft impeachment. So, whenever Tom the Tinker was professionally busy,
Ding-Dong, blond and beautiful and strong as some jungle animal, would
come to the cottage, and many delirious hours would be passed in the
company of the lonely, lovable Myra.
He began to be happy. He began to feel that he really was a man. He
was asserting himself. He had stolen another man’s wife—sure cachet of
masculinity. At the same time he had done nothing dirty, since the man in
question didn’t want her; had, indeed, often said so in casual asides,
uttered in the intervals of driving steel drills through the walls of
iron safes.
Yes, Ding-Dong had shown that he was a real man all right; one who could
throw himself about with the best. Morally, he swaggered. He thought of
the maidens he had loved: poor stuff. He thought of his pals who either
were married or did not love at all: poor stuff entirely. It was himself
and those like him who were the men. Masculinity, virility only arrived
with intrigue.
Public-domain text, read in full here on John Shaqi.
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