“Cause I'll go to school. But I won't go back to Laramie for no one. And
you're a-going to be Lin's wife, honest?”
“Honest! Honest!” And Jessamine, laughing, grew red beside her lamp.
“Then I guess mother can't never come back to Lin, either,” stated
Billy, relieved.
Jessamine let fall the child's hand.
“Cause she liked him onced, and he liked her.”
Jessamine gazed at Lin.
“It's simple,” said the cow-puncher. “It's all right.”
But Jessamine sat by her lamp, very pale.
“It's all right,” repeated Lin in the silence, shifting his foot and
looking down. “Once I made a fool of myself. Worse than usual.”
“Billy?” whispered Jessamine. “Then you--But his name is Lusk!”
“Course it is,” said Billy. “Father and mother are living in Laramie.”
“It's all straight,” said the cow-puncher. “I never saw her till three
years ago. I haven't anything to hide, only--only--only it don't come
easy to tell.”
I rose. “Miss Buckner,” said I, “he will tell you. But he will not tell
you he paid dearly for what was no fault of his. It has been no secret.
It is only something his friends and his enemies have forgotten.”
But all the while I was speaking this, Jessamine's eyes were fixed on
Lin, and her face remained white.
I left the girl and the man and the little boy together, and crossed to
the hotel. But its air was foul, and I got my roll of camp blankets
to sleep in the clean night, if sleeping-time should come; meanwhile
I walked about in the silence To have taken a wife once in good faith,
ignorant she was another's, left no stain, raised no barrier. I could
have told Jessamine the same old story myself--or almost; but what had
it to do with her at all? Why need she know? Reasoning thus, yet with
something left uncleared by reason that I could not state, I watched
the moon edge into sight, heavy and rich-hued, a melon-slice of glow,
seemingly near, like a great lantern tilted over the plain. The smell of
the sage-brush flavored the air; the hush of Wyoming folded distant and
near things, and all Separ but those three inside the lighted window
were in bed. Dark windows were everywhere else, and looming above rose
the water-tank, a dull mass in the night, and forever somehow to me a
Sphinx emblem, the vision I instantly see when I think of Separ. Soon I
heard a door creaking. It was Billy, coming alone, and on seeing me he
walked up and spoke in a half-awed voice.
“She's a-crying,” said he.
I withheld from questions, and as he kept along by my side he said: “I'm
sorry. Do you think she's mad with Lin for what he's told her? She just
sat, and when she started crying he made me go away.”
Public-domain text, read in full here on John Shaqi.
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