Thus ended the attempted secession of these States; thus the four years' war. But the main things come subtly and invisibly afterward, perhaps long afterward--neither military, political, nor (great as those are), historical. I say, certain secondary and indirect results, out of the tragedy of this death, are, in my opinion, greatest. Not the event of the murder itself. Not that Mr. Lincoln strings the principal points and personages of the period, like beads, upon the single string of his career. Not that his idiosyncrasy, in its sudden appearance and disappearance, stamps this Republic with a stamp more mark'd and enduring than any yet given by any one man--(more even than Washington's)--but, join'd with these, the immeasurable value and meaning of that whole tragedy lies, to me, in senses finally dearest to a nation (and here all our own)--the imaginative and artistic senses--the literary and dramatic ones. Not in any common or low meaning of those terms, but a meaning precious to the race, and to every age. A long and varied series of contradictory events arrives at last at its highest poetic, single, central, pictorial denouement. The whole involved, baffling, multiform whirl of the secession period comes to a head, and is gather'd in one brief flash of lightning-illumination--one simple, fierce deed. Its sharp culmination, and as it were solution, of so many bloody and angry problems, illustrates those climax-moments on the stage of universal Time, where the historic Muse at one entrance, and the tragic Muse at the other, suddenly ringing down the curtain, close an immense act in the long drama of creative thought, and give it radiation, tableau, stranger than fiction. Fit radiation--fit close! How the imagination--how the student loves these things! America, too, is to have them. For not in all great deaths, nor far or near--not Caesar in the Roman senate-house, nor Napoleon passing away in the wild night-storm at St. Helena--not Paleologus, falling, desperately fighting, piled over dozens deep with Grecian corpses--not calm old Socrates, drinking the hemlock--outvies that terminus of the secession war, in one man's life, here in our midst, in our own time--that seal of the emancipation of three million slaves--that parturition and delivery of our at last really free Republic, born again, henceforth to commence its career of genuine homogeneous Union, compact, consistent with itself. [12] _By permission of David McKay._ OUR SUN HATH GONE DOWN[13] BY PHOEBE CARY Our sun hath gone down at the noonday, The heavens are black; And over the morning the shadows Of night-time are back. Stop the proud boasting mouth of the cannon, Hush the mirth and the shout;-- God is God! and the ways of Jehovah Are past finding out. Lo! the beautiful feet on the mountains, That yesterday stood; The white feet that came with glad tidings, Are dabbled in blood.