“You will never know what love is unless I can manage somehow to make
you understand how much I love you. Hallet will have to endure your
hearing it. This doesn't belong to him; it has not touched the earth.
Every one, more or less, talks about love; but not one in a thousand,
not one in a million, has such an experience. If they did it would tear
the world into shreds. It would tear them as it has me. I realize the
other, the common thing--who experimented more! This has nothing to do
with it. A boy lost in the idealism of his first worship has a faint
reflection. Listen:
“I can always, with a wish, see you standing before me. You
yourself--the folds of your sash, the sharp narrow print of your
slippers on the pavement or the matting or the rug, the ruffles about
your hands. I have the feeling of you near me with your breathing
disturbing the delicacy of your breast. There is the odor and shimmer of
your hair ... your lips move ... but without a sound.
“This vision is more real than reality, than an opera-house full of
people or the Place Vendôme; and it, you, is all I care for, all I think
about, all I want. I find quiet places and stay there for hours, with
you; or, if that isn't possible, I turn into a blind man, a dead man
warm again at the bare thought of your face. Listen:
“I've been in shining heaven with you. I have been melted to nothing and
made over again, in you, good. We have been walking together in a new
world with rapture instead of air to breathe. A slow walk through dark
trees--God knows why--like pines. And every time I think of you it is
exactly as though I could never die, as though you had burned all the
corruption out of me and I was made of silver fire. And listen:
“Nothing else is of any importance, now or afterward, you are now and
the hereafter. I see people and people and hear words and words, and I
forget them the moment they have gone, the second they are still. But I
haven't lost an inflection of your voice. When I work in clay or stone I
model and cut you into every surface and fold. I see you looking back at
me out of marble and bronze. And here, in this garden, you tried to give
me more--”
The infinitely removed thunder was like the continued echo of his voice.
There was a stirring of the leaves above her head; and the light that
had shone against the house in Elouise Lowrie's window was suddenly
extinguished. All that she felt was weariness and a confused dejection,
the weight of an insuperable disappointment. She could say nothing.
Words, even Pleydon's, seemed to her vain. The solid fact of Arnaud, of
what Dodge, more than seven years before, had robbed her, put everything
else aside, crushed it.
Public-domain text, read in full here on John Shaqi.
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