Jose had gone to Kalamba to attend a festival there, when Mr. Hidalgo, from Manila, notified him that his boat was ready to sail. The telegram, asking his immediate return to the city, was couched in the form of advice of the condition of a patient, and the name of the steamer, Salvadora, by a play on words, was used in the sense of "May save her life." Rizal had previously requested of Mr. Ramirez, of the Puerta del Sol store, letters of introduction to an Englishman, formerly in the Philippines, who was then living in Paris. He said nothing more of his intentions, but on his last night in the city, with his younger sister as companion, he drove all through the walled city and its suburbs, changing horses twice in the five hours of his farewell. The next morning he embarked on the steamer, and there yet remains the sketch which he made of his last view of the city, showing its waterfront as it appeared from the departing steamer. To leave town it was necessary to have a passport; his was in the name of Jose Mercado, and had been secured by a distant relative of his who lived in the Santa Cruz district. After five days' journey the little steamer reached the English colony of Singapore. There Rizal saw a modern city for the first time. He was intensely interested in the improvements. Especially did the assured position of the natives, confident in their rights and not fearful of the authorities, arouse his admiration. Great was the contrast between the fear of their rulers shown by the Filipinos and the confidence which the natives of Singapore seemed to have in their government. At Singapore, Rizal transferred to a French mail Steamer and seems to have had an interesting time making himself understood on board. He had studied some French in his Ateneo course, writing an ode which gained honors, but when he attempted to speak the language he was not successful in making Frenchmen understand him. So he resorted to a mixed system of his own, sometimes using Latin words and making the changes which regularly would have occurred, and when words failed, making signs, and in extreme cases drawing pictures of what he wanted. This versatility with the pencil, for many of his offhand sketches had humorous touches that almost carried them into the cartoon class, interested officers and passengers, so that the young student had the freedom of the ship and a voyage far from tedious. The passage of the Suez Canal, a glimpse of Egypt, Aden, where East and West meet, and the Italian city of Naples, with its historic castle, were the features of the trip which most impressed him. CHAPTER VI The Period of Preparation