So Will brought her next day from the book-shop in the town the dainty
little “Poetry Book of Modern Poets,” in the Tauchnitz edition. He wrote
her name in it too; and Linnet took it home, and hid it deep in her box
in a white silk handkerchief, and read bits of it by night, very
stealthily in her own room, spelling out what it meant with Andreas
Hausberger’s dictionary. Long after, she had that precious volume bound
in white Florentine vellum, with a crimson _fleur-de-lys_ on the cover,
at a house just opposite the Duomo at Florence. But at present she read
it in its paper covers. She read other books, too—German books which
Will chose for her; not instructive books which were over her head, but
poetry and romance and imaginative literature, such as her ardent
Tyrolese nature could easily assimilate. Day after day, Will read her
aloud something fresh—Undine, the Maid of Orleans, Uhland’s Ballads,
Paul Heyse’s short stories—but of all the things he read to her, the
one she liked best was a German translation of an English play—a
beautiful play by another English poet, whose name was also Will, but
who died long ago—a play about two luckless and devoted lovers, called
Romeo and Juliet. Linnet cried over that sad story, and Will kissed her
tears away; and a little later, when Andreas Hausberger took her to
Verona on their way south to Milan, Linnet went of her own accord to see
Juliet’s tomb in a courtyard in the town, and wasted much excellent
sympathy and sentiment over the shameless imposture of that bare Roman
sarcophagus. But she meant very well; and she believed in Juliet even
more firmly than she believed in Siegfried and Chriemhild and all the
other fine folks to whom Will introduced her.
So three weeks passed away, three glorious golden weeks, and day after
day, on those lovely hillsides, Linnet saw her lover. At the end of a
fortnight, Rue heard, from various friends at other hotels, of a
wonderful singer in a Tyrolese troupe, then performing nightly in the
various _salons_. “Why, that must surely be Linnet!” she said before
Will, to the first friend who mentioned it.
“Yes; Linnet—that’s her name,” Rue’s friend assented.
“I knew she was in the town,” Will admitted somewhat sheepishly; for he
felt as if he were somehow deceiving Rue, though it never would have
entered his good, modest head to suppose she herself could care anything
about him, except as a poet in whose work she was kind enough to take a
friendly interest.
“Ah, I should love to hear her again!” Rue cried, enthusiastically. “She
sings like a nightingale—such a splendid soprano! Let’s find out where
she’ll be to-night, and go round in a body to the hotel to hear her!”
Public-domain text, read in full here on John Shaqi.
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