The manager hesitated, and drummed with his finger on the desk before
him. “Well, to tell you the truth, my dear lady,” he answered,
evasively, “I couldn’t very well give you any opinion, good, bad, or
indifferent, till I’ve read the manuscript, and considered it carefully.
You see, a play’s not quite like a book or picture; a deal of capital’s
involved in its production; and, besides, its success or its failure
don’t stand quite alone; they mean so much in the end to the theatre. It
won’t do for me to reckon only how many hundreds or thousands I may
possibly lose on this or that particular venture if it turns out badly;
there’s the indirect loss as well to take into consideration. Every
success in a house means success in future; every failure in a house
means gradual increase in the public coldness. It wouldn’t pay me, you
understand, if you were merely to offer me a big lump sum down to
produce a piece with no chance of a run in it. I never produce anything
for anybody on earth unless I believe myself there’s really money in it.
But I’ll tell you what I’ll do,” and he brightened up most amiably;
“I’ll read it this very day; and then, if I think it won’t prejudice the
Duke’s to bring it out at once, why, . . . I’ll consider whether or not
I can accept your offer.”
“Oh, thank you!” Rue cried, very gratefully indeed; for she was a simple
soul, in spite of her thousands.
The manager drew himself up, and looked stonily grave. He shook his
bullet-head. This charge was most painful. It hurt his feelings as a
business man that a pretty woman should even for one moment suppose he
meant to make a concession to her.
“You’ve nothing to thank me for,” he answered, truthfully; and indeed
she hadn’t; for his answer, after all, amounted merely to this: that if
he thought the play likely to prove a success, he would generously
permit the rich American to indemnify him beforehand against the
off-chance of a failure. In other words, if it turned out well, he stood
to win all; while if it turned out ill, it was Rue who stood to lose
whatever was lost upon it.
Public-domain text, read in full here on John Shaqi.
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