“Extremely graceful verses; I don’t know the author. However, no matter! . . . Second envelope, Colonel Marchmont, containing inscription in English, ‘The general immediately ordered an advance, and the gallant 21st, regardless of danger, charged for the battery in magnificent style, sabring the enemy’s gunners in a wild outburst of military enthusiasm.’ Very characteristic! A most soldierly choice. And boldly written. . . . Third envelope, Mrs Sartoris,—stop, please! the lady’s thoughts are wandering; kindly fix your attention for a moment, Madam, on the words you have given me. Ah, so; that’s better.—‘The curfew tolls the knell of parting day; The lowing herd winds slowly o’er the lea; The ploughman homeward wends’—wends? wends? it should have been ‘plods’; but ‘wends’ is what you thought—‘The ploughman homeward wends his weary way, And leaves the world to darkness and to me.’ Very appropriate; it’s dark enough here! And I am the only speaker. Bend your minds to what you have written, please, or I may have to hesitate. Each think of your own. . . . Fourth envelope, Mr Florian Wood, containing inscription: ‘We struggle fain to enlarge Our bounded physical recipiency, Increase our power, supply fresh oil to life, Repair the waste of age and sickness: no, It skills not! life’s inadequate to joy, As the soul sees joy, tempting life to take.’ An exceedingly appropriate quotation! I forget where it comes from. Try to concentrate your mind, Mr Wood. Ah, now I know!—from Browning’s _Cleon_.” Florian’s mellifluous voice broke the silence in the auditory. “This is wonderful!” he said, in his impressive tone, “most wonderful! miraculous! I never heard anything in my life to equal it.” The Seer, noting his advantage, didn’t pause for a moment to answer the interruption, but, smiling a self-satisfied though invisible smile, which could be heard in his voice in spite of the dense darkness, went on still more rapidly, “Fifth envelope, Lady Martindale, a familiar quotation, ‘A thing of beauty is a joy for ever.’ Somewhat hackneyed that, but easy enough to read on her brain for that very reason. . . . Sixth envelope, Sir Henry Martindale—I regret to say, a confirmed sceptic; Sir Henry didn’t believe I could read his thoughts, so he wrote down these rude words: ‘The performance is a sham, and the man’s a humbug.’ But the performance is not a sham, and the man’s a thought-reader. Sir Henry also wrote three words below in the Russian character, which he learnt in the Crimea. Now, I don’t know Russian, and I can’t pretend to read thoughts in languages I don’t understand, any more than I could pretend to repeat a conversation I happened to overhear on top of an omnibus in Japanese or Hottentot. But I can tell Sir Henry what he thought in English as he wrote those words; he thought to himself, ‘That’s a puzzler for him, that is; I’ll bet five quid that’ll beat the fellow.’”