Through all Franz said, however, there ran still, as of yore, one
constant thread of undying hatred to the man who had outwitted him at
Meran and St Valentin. “Then you haven’t forgiven him yet?” Will
inquired at last, after one such spiteful allusion to Andreas’s
meanness.
The Robbler’s hand moved instinctively of itself to his left breast
pocket. He had changed his coat, but not his customs. “I carry it here
still,” he answered, with the same old defiant air, just defining with
finger and thumb the vague outline of the knife that bulged between them
through the glossy broadcloth. “It’s always ready for him. Ze day I meet
him—” and he stopped short suddenly, with a face like a bulldog’s.
“You Tyrolers have long memories,” Will answered, with a little shudder.
“It’s very unfashionable you know, to stab a rival in London.”
Franz showed his handsome teeth. “Unfashionable or not,” he replied,
with a shrug, “it is so I was born; it is so I live ever. As we say in
ze song, I am made zat way. I cannot help it. I never forget an
injury. . . . Zough, mind you,” he continued, after a telling little
pause, during which he drove many times an imaginary knife into an
invisible enemy, “it isn’t so much now zat I grudge him Linnet. Let him
keep his fine Frau. Zere are better girls in ze world, you and I have
found out, zan Lina Telser—to-day Frau Hausberger. We were younger zen;
we are men of ze world now; we know higher sings, I sink, zan a
Zillerthal _sennerin_. What I feel wis him at present is not so much zat
he took away ze girl, as zat he played me so mean a trick to take her.”
Will smiled to himself in silence. How strangely human feelings and
ideas differ! He himself had never forgotten the beautiful alp-girl with
the divine voice; in the midst of London drawing-rooms he never ceased
to miss her; while Franz Lindner thought he had left Linnet far, far
behind, since he became acquainted with those higher and nobler types,
the music-hall stars of the London Pavilion! “There’s no accounting for
tastes,” people say; oh, most inept of proverbs! surely it’s easy for
anyone to account for the reasons which made Linnet appear so different
now in Franz Lindner’s eyes and in her English poet’s.
But before Franz and Will parted at the Circus that afternoon, they had
made mutual promises, for old acquaintance’s sake—Franz, that he would
graciously accept a stall, on an off-night, at the Duke of Edinburgh’s,
to see Will’s new piece, _The Duchess of Modena_; and Will, that he
would betake himself to the London Pavilion one of these next few
evenings, to hear Signor Francesco, alias the Frenchy, in his celebrated
and universally encored impersonation of Mossoo Robert in Regent Street.
CHAPTER XXVIII
SIGNORA CASALMONTE
Public-domain text, read in full here on John Shaqi.
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