Signora Casalmonte scored a distinct success. She was the great dramatic
and musical reality of that London season. All the world flocked to hear
her; her voice made the fortune of the Harmony Theatre. She was invited
everywhere—“You must have the Casalmonte,” Florian laid down the law in
his dictatorial way to Belgravian hostesses—and Andreas Hausberger went
always in charge, wherever she moved, to guard his splendid operatic
property. And what care Andreas took of her! It was beautiful,
beautiful! Unobservant people thought him a most devoted husband. He
lingered always by the Signora’s side; he supplied wraps and shawls on
the remotest threat of a coming chill; he watched what she ate and drank
with the composite eye of a lynx and a physician; he guarded her health
from the faintest suspicion of danger in any way. On off-nights, he
would seldom allow her to dine out or attend evening parties; on
Sundays, he took her down for change of scene and fresh air to the sea
or the country. Ozone was his hobby. Every day, the prima donna drove
out in the Park, and then walked for exercise a full hour in Kensington
Gardens. Unobservant people set all this down to the account of the
domestic affections; Will Deverill noticed rather that Andreas guarded
his wife as a racing man guards the rising hope of his stables. Andreas
was far too sensible a man of the world to run any needless risks with
the throat of the woman who made his fortune. He had staked a great deal
on her, and he meant to be repaid with compound interest.
As for London itself, it went wild about Linnet. ’Twas the Casalmonte
here, the Casalmonte there; the _diva_ will sing at Lady Smith’s
to-night; the _diva_ will go with Sir Thomas Brown and party to supper.
Linnet’s head was half-turned with so much admiration; if she hadn’t
been Linnet, indeed, it would have been turned altogether. But that
simple childlike nature, though artistically developed and
intellectually expanded, remained in emotion as straightforward and
unaffected and confiding as ever. Still, that season did the best it
knew to spoil her. She was queen of the situation. It rained choice
flowers; diamond bracelets and painted fans showered down upon her
plentifully. Linnet accepted all this homage, hardly realising its money
worth; she was pleased if she gave pleasure; what others gave in return,
she took as her right, quite simply and naturally. This charm of her
simplicity surprised and delighted all who grew to know her; she had
none of the affected airs and graces of the everyday great singer; she
sang because she must; at heart she was, as always, the mountain-bred
peasant-girl.
Public-domain text, read in full here on John Shaqi.
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