“I just sang it a bit at sight,” Linnet answered, “on the hillside. When
I met Herr Will first, we sat down and talked, because Herr Will was
tired; and he showed me his score, and I tried part of it over a bit.
But it was not that which you would quite call fairly trying it, for I
had not seen it before, and had no time to study it. Still, I thought it
very good—oh, exquisite, perfect!—and I should like so much the chance
to sing in it.”
“Try it now!” Andreas said, in his dictatorial tone.
And Linnet, without any affected hesitation, or professional airs,
opened her rich mouth naturally, and trilled forth upon Will’s delighted
ear in a raptured flood her native first reading of his own graceful
music.
“That’ll do!” Andreas said, with decision, as soon as she’d finished.
“That’ll do, Linnet. We’ll arrange for it.”
And Will, leaning across to her over the plain deal table, as she stood
blushing in front of him, exclaimed with delight, “Why, Linnet—Frau
Hausberger, I mean—that’s charming, charming! I couldn’t have believed
how pretty my own song was, till I heard you sing it!”
So that very day the whole matter was settled, as far, at least, as
those three could settle it. It was decided and contracted that Will
should definitely write an opera for Linnet; that he should offer it
first to Mr Wells, the manager of the Harmony; and that if Wells refused
it, it should go next to the Duke of Edinburgh’s, on condition that
Linnet was engaged for the title-role. Before evening, Will had
shouldered his knapsack once more (though Andreas would fain have
constrained him to stay the night at their inn), and, with a timorous
farewell to Linnet at the _châlet_ door, had gone on his way rejoicing,
to descend towards Oberwesel.
That interview gave him courage. During the course of the autumn he
completed his piece, for he was a man of inspirations, and he worked
very rapidly when the fit was upon him. The greater part of his opera he
wrote and composed in the open air, beneath the singing larks, on those
green Swiss hillsides. And the larks themselves did not sing more
spontaneous, with heart elate, for pure joy of singing. That one short
_tête-à-tête_ with Linnet at her _châlet_ had filled his teeming brain
with new chords and great fancies. Words and notes seemed to come of
themselves, and to suggest one another; moods seemed to mirror
themselves in becoming music. Besides, Will thought with no little
pleasure, this new venture would bring him, for a time at least, into
closer personal connection with Linnet. While rehearsals and other
preliminary arrangements went on, he must be thrown a great deal
perforce into Linnet’s company. And how delightful to think they would
be working together for a common end; that success, if achieved, would
be due in part and in equal degrees to each of them.
Public-domain text, read in full here on John Shaqi.
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