To enlist the Church on his side was therefore Andreas Hausberger’s
first and chief endeavour. With this object in view, he took the
unwonted step of confessing himself in due form to the priest of the
pro-Cathedral the very day after Linnet left him. ’Twas a well-timed
confession. Andreas admitted to the full his own misconduct—admitted it
with a most exemplary and edifying show of masculine contrition. But
then he went on to point out to the priest that between his wife’s case
and his there was a great gulf fixed, from the point of view of the
ecclesiastical vision. _He_ had sinned, it was true, and deserved
reprehension; but he was anxious, all the same, to remain in close union
as ever with his wife, to admit the obligation and sanctity of the
sacrament. Frau Hausberger, on the other hand, had left his hearth and
home, and seemed now on the very point of falling into the hands of
heretics, who might persuade her to accept the dissolving verdict of a
mere earthly court, and to marry again during her husband’s lifetime, in
open defiance of the Church’s authority. Her soul was thus placed in
very serious jeopardy. If she continued to remain with Will or with
Will’s friends, and if they over-persuaded her to obtain a divorce, she
would become a Protestant, or at any rate would enter into an irregular
union which no Catholic could regard as anything other than legalised
adultery.
The justness and soundness of Herr Hausberger’s views deeply impressed
the candid mind of his confessor. It is pleasant indeed, in these
degenerate days, to find a layman who so thoroughly enters into the
Church’s idea as to the obligation of the sacraments. Moreover, to let a
well-known lamb of the flock thus stray from the fold before the eyes of
all Europe—and on such a question—the confessor saw well would be a
serious calamity. Indeed, the Church had somewhat prided itself in its
way on Signora Casalmonte. It had pointed to her more than once as a
conspicuous example of pure Catholic life under trying circumstances. A
Tyrolese peasant-girl, brought up in a country where Catholic influences
still bear undisputed sway, and transplanted to the most dangerous and
least approved of professions, she had comported herself on the stage,
in spite of every temptation, with conspicuous modesty and religious
feeling. Beautiful, graceful, much admired, much sought after in all the
capitals of Europe, she had resisted the many snares that beset a
singer’s career, and had shown a singular instance of pure domestic life
in a sphere where such life is, alas, too uncommon. So much could the
lessons of the Church effect; so great was the lasting power of early
Catholic influences.
Public-domain text, read in full here on John Shaqi.
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