Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
with its pale yellow shading of back and belly, and how well it would
"work in" with the tulip-leaves and flowers! Even its bill and feet
harmonize perfectly with the bark of the older twigs. So the
golden-wing, the tanager, and the orioles would bear their colors
harmoniously into any successful tulip design.
South of the Alleghany Mountains I have not found as fine specimens of
this tree as I have in Kentucky, Ohio, and Indiana. Everywhere the
saw-mills are fast making sad havoc. The walnut and the tulip are soon
to be no more as "trees with the trees in the forest." Those growing in
the almost inaccessible "pockets" of the Kentucky and Tennessee
mountains may linger for a half-century yet, but eventually all will be
gone from wherever a man and a saw can reach them.
The oak of England and the pine of Norway are not more typical than the
tulip-tree. The symmetry, vigor, and rich colors of our tree might
represent the force, freedom, and beauty of our government and our
social influences. If the American eagle is the bird of freedom, the
tulip is the tree of liberty,--strong, fragrant, giant-flowered,
flaunting, defiant, yet dignified and steadfast.
A very intelligent old man, who in his youth was a great bear- and
panther-hunter, has often told me how the black bear and the tawny
catamount used to choose the ample "forks" of the tulip-tree for their
retreats when pursued by his dogs. The raccoon has superseded the larger
game, and it was but a few weeks ago that I found one lying, like a
striped, fluffy ball of fur, in a crotch ninety feet above ground. "Our
white-wood" lumber has grown so valuable that no land-owner will allow
the trees to be cut by the hunter, and hence the old-fashioned
'coon-hunt has fallen among the things of the past, for it seems that
the 'coon is quite wise enough to choose for the place of his indwelling
the costliest tulip of the woods. I have already casually mentioned the
fact that the tulip-tree's bloom is scarcely known to exist by even
intelligent and well-informed Americans. Every one has heard of the
mimosa, the dogwood, the red-bud, and the magnolia, but not of the
tulip-bearing tree, with its incomparably bold, dashing, giantesque
flower, once so common in the great woods of our Western and Middle
States. I have not been able to formulate a good reason for this. Every
one whose attention is called to the flower at once goes into raptures
over its wild beauty and force of coloring, and wonders why poems have
not been written about it and legends built upon it. It is a grander
bloom than that which once, under the same name, nearly bankrupted
kingdoms, though it cannot be kept in pots and greenhouses. Its colors
are, like the idiosyncrasies of genius, as inimitable as they are
fascinating and elusive. Audubon was something of an artist, but his
tulip-blooms are utter failures. He could color an oriole, but not the
corolla of this queen of the woods. The most sympathetic and experienced
Public-domain text, read in full here on John Shaqi.
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