Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The current has hardly slackened when the long gate begins to roll to.
The last passenger has to edge himself through sideways, at some peril
of his packages if not of himself, and at the tender mercy of the
gate-keeper. Not the last would-be passenger, however; for a frantic
form is seen to dart through the narrow and tortuous pass from the
street and fling itself upon the closed barrier, appealing in eloquent
indignation to the inexorable Cerberus, and then gazing, with face
against the lattice, in imbecile despair at the receding boat.
Simultaneous with the thud of the shutting gate is the clank of chains
and the rattle of clamps and clogs, as of the striking off of fetters
and handcuffs, an asthmatic jingle of a bell somewhere in the body of
the boat, a slight slush of revolving paddle-wheels, and the great
brute, as steady as a spirit-level and as powerful as a battering-ram,
separates itself from the dock like the opening blade of a penknife. You
recall the good old days when there were no cruelly-humane gates, and
when this stage of the proceeding was marked by a wild leap of belated
forms across the widening chasm, with now and then the souse of a
miscalculating passenger into the yeasty brine. The scene is less
picturesque and exciting now, but it is decidedly more satisfactory.
If you have a wise regard for your sanitary well-being, you will remain
on deck, alike to saturate your lungs with torrents of oxygen and to let
your weary eye and mind disport themselves like sea-gulls on the broad
waters of the bay. What so fresh and cool and clean and still and
sparkling and in perfect contrast to the stern and stony and resounding
streets! As you lean over the taffrail, looking down into the clear,
gliding wave, you can readily conceive why the poor unfortunates to whom
life has become a stern and stony street are so often tempted to bury
their sorrows in that great calm grave.
I never grow tired of watching the wake of the vessel. It revives some
of my earliest impressions,--all the more if it be upon the venerable
Wiehawken, or James Rumsey, or some other veteran of the Hoboken line,
that used to convey me across the Hudson in my childish days. A
ferry-boat then meant to me a country boy's visit to the great city, or,
a little later, a city boy's holiday-excursion to the Elysian Fields.
The long vibrations of the laboring boat bring back the old thrill of
excited expectation. Even the discordant clank of the dock-gear is
musical in memory's ear. And at any time of life there is a real
fascination in watching the smooth and soapy track unrolling behind us,
with its sharp division-line in the centre and its upturned depths of
glossy green.
Public-domain text, read in full here on John Shaqi.
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