Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
I have spoken of fogs on the river. Their prevalence differs greatly in
different years, also their density and darkness. The East River, from
its narrowness, its crowded condition, and its rapid current, is far
more obstructed by them; but the Bridge has changed all that. The fogs
are to be charged to the serious discount of suburban life; still more
the snow-storms, which are more deadening to sound and less capable of
illumination. But the use of electric light and the vast capacities of
the steam-whistle and fog-horn, not to speak of the more than Indian
expertness to which a pilot's eye and ear can be trained, have reduced
the inconvenience to a minimum. There is, however, to the imaginative
traveller a compensating, albeit an awful, charm. It is like exploring
some dim and echoing cave resounding with an organ-concert played by
Titans on the very instruments of AEolus himself. The whole river makes
one think of a vast shell, full of the boomings and sighings of an
infinite sea.
But such experiences on the North River are rare, even in times of fog
or snow. For the most part the climate of New York harbor is singularly
clear, and its autumns are beginning to be recognized as a
meteorological masterpiece. And its vast and varied commerce offers
exhaustless entertainment for one who has an eye for the picturesque or
a sympathetic imagination for the living freight.
As we look up and down the bay we realize how thoroughly steam has
cleared the water of sails, sadly to the sacrifice of beauty. Here and
there, however, there is a lingering sloop or schooner, engaged in
river- or coasting-trade. Decidedly old-fashioned they look, like the
white turban and neckerchief of our grandmothers. As they lie off there,
nestling so confidingly in the arms of the great river-god, we seem to
get a glimpse of a simpler and serener age, when life glided rather than
pushed, waited on the heavenly influences and trusted not its own
impulse. I know that the life of a deck-hand will not bear a very close
examination for aesthetic purposes. But, as I watch these vessels
drifting down through the golden afternoon, or cheerily beating up
against the tide on a breezy morning, the man at the wheel is a very
model of unconscious grace and almost effortless ascendency; and his
shipmates, grouped about him like floating lotos-eaters, have ever a
touch of the fine old Ulyssean vagrancy. Now and then there stands out
before the breeze and the sunlight a great canvassed ship, like some
living thing fluttering and glowing and careering under their thrilling
touch. And sometimes a fleet of sailing-yachts, more beautiful and swift
than sea-gulls, will hover on the horizon.
Public-domain text, read in full here on John Shaqi.
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