Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
There is no beauty, but a deal of attraction, in the great flotillas of
linked barges and canal-boats which slowly pass like floating and vulgar
Venices. If, as is often the case, they lie across the track, we shall
have plenty of opportunity to observe at our leisure their still life. I
have always thought that canal-life--by reason of its amphibiousness,
its phenomenal slowness, its monotony amid endless change, its solitude
amid busy and peopled scenes which it is always touching but never
entering--must be a unique existence, a _modus vivendi_ quite apart from
other human experiences by land or sea. A distinct type of character and
of habit cannot fail to be evolved, which it might be well for ingenious
novelists at their wits' ends to study, even though it required a trial
of patience and a tribulation of stomach and cuticle for a voyage or
two. Dickens saw its possibilities, and made it an episode in Little
Nell's wanderings, and I am rather surprised that he did not work the
vein farther.
The river-barge is freighted for me with pleasant memories. Like
Cleopatra's,
From the barge
A strange invisible perfume hits the sense.
There are not many of them now that carry passengers, but in my boyhood
they were a common vehicle of travel on the Hudson, several of these
shapeless and unwieldy tubs being lashed to the sides or dragged at the
stern of a tow-boat. They are identified with summer vacations in the
country, than which a boy's memory holds no more honeyed recollections.
The hours before "turning in" (the very fact of an abnormal night and
bed was a joy to the juvenile mind, despite the incessant and unearthly
noises of the live-stock on board) were spent in wandering among the
mountains of "produce," inhaling the savor of Orange County butter and
baled hay and meal-bags, and listening to the plaintive bleat of
comfortless calves and desolate sheep. As night drew on, I would select
some snug little nook, where I could lie and dream as we glided along
the still and starlit river, through the Highlands, perhaps, or the
Palisades. The charm was mainly, of course, in the spell of youthful
fancy and expectancy, which touched and transfigured the homely scene,
as the moonlight touched and transfigured the silent river. But I
associate it all with the barges, and shall ever see in those uncouth
craft
Argosies of magic sails,
Pilots of the purple twilight, dropping down with costly bales.
Public-domain text, read in full here on John Shaqi.
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