Lippincott's Magazine of Popular Literature and Science, December 1878Various
History
Lippincott's Magazine of Popular Literature and Science, December 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
He came to dinner now and then, and over his wine he was noisy,
boisterous and bragging. He had been in Congress with Mr. Floyd years
before, and, though of different parties, they had innumerable
recollections in common, and, much as I disliked Mr. Talbot, I
recognized his cleverness in anecdote and the clearness and conciseness
of his narratives. I could endure him among men, but with women he was
odious, and, for some reasons occult and inexplicable to any man, plumed
himself upon his success with them. He understood himself too well, and
relied too entirely upon his natural abilities, to make any effort to
hide his gross ignorance upon all subjects requiring either literary or
mental culture. He had been eminently successful without any such
acquirements in every field he entered, and consequently considered them
non-essentials in a man's career--very good to have, like the cream and
confectionery at dessert, tickling the palates of women and children,
but eschewed by sensible men. He had travelled twice over Europe, seeing
everything with the voracious curiosity of a strong man eager to get his
money's worth: after his experience of cities rich in high historic
charm, works of art where the rapture and exaltation of long-vanished
lives have been exultingly fixed in wonderful colors or imperishable
marbles, he had carried away merely a hubbub of recollections of places
where the best wines were found and his miseries at being reduced in
certain cases to the position of a deaf-mute through his inability to
grapple with the difficulties of foreign tongues.
No, it did not in those days occur to me that I had a rival in Mr.
Talbot. Helen and I used to laugh at his crass ignorance, and mystify
him now and then by our allusions. Miss Lenox was never vivacious at
table, and used to listen languidly to all of us, turning to me now and
then and regarding me with a sort of pleased curiosity when she thought
I overmatched her heavy admirer.
As I have said, I had turned to composition as an amusement, an
occupation, and perhaps a refuge from feelings which were rapidly
becoming an ever-present pain. I recall one day when I had sat for hours
at my desk writing busily, utterly wrapped up in my fancies--so
engrossed, indeed, that when I had finished my work I looked with
astonishment at my watch and discovered that it was long past two
o'clock. I rose and went to the window, pushed aside the curtains and
threw open the blinds, and gazed out. I overlooked the garden, which was
deserted except by the bees and humming-birds busy among the flowers.
The mid-day heat had passed, and a breeze rustled the leaves and moaned
in the pine trees. It was a fair world, and I felt what one often
experiences in coming back to reality after high emotion--a sort of
strangeness in the beauty of tree and grass and sea and wood.
Public-domain text, read in full here on John Shaqi.
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