Lippincott's Magazine of Popular Literature and Science, December 1878Various
History
Lippincott's Magazine of Popular Literature and Science, December 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The French "impressionalist" clique, similar in spirit to these
Englishmen, though less outre in practice, is not by any means of so
great importance in France as they are in England. It has more than once
been remarked in England that the old-fashioned amateur--patron and
critic, _kenner_--is dying out, and that his modern substitute must not
only choose, but experiment--not only admire, but be admired. This
spirit, spreading through a nation, will not make it a nation of
artists, but will make the nation's artists amateurs. No critic, no
amateur, is more loath to try his own hand than the one who most deeply
and rightly appreciates the skill of others, and the rare and God-given
and difficult nature of that skill. The confusion of amateur with
professional work lowers the standard, so there will be every year fewer
to tell the mass of the nation that most useful of truths--how earnest a
thing is true art, and how rare a native appreciation of its truest
worth.
There is no place where the interest excited by national art is so
widespread, where the exhibitions are so crowded, where they so regulate
times and seasons, annual excursions to and departures from town, as in
England. Yet there is no place where the interest in art seems to a
stranger so factitious, so much a matter of fashion and custom, of
instinctive following of chance-appointed bell-wethers. It would
scarcely be a matter of surprise if the whole thing should collapse
through some pin-thrust of rival interest or excitement, and next year's
exhibition be a desert, next year's artists paint their theories and
their souls for unregarding eyes, or rather for unheeding brains. Have
we not an apology for such a suggestion in the history of the rage for
Gothic architecture, so thoroughly demonstrated in every possible
theoretical and philosophical way to be the only proper style for
Englishmen present or future, so devotedly and exclusively followed for
a while by the profession, only to be suddenly abandoned for its fresher
rivals, the so-called styles of Queen Elizabeth and Queen Anne?
Public-domain text, read in full here on John Shaqi.
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