Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885Various
Science
Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
After Miss Burney had set the fashion, women pressed boldly forward into
literary ranks, although the author of "Waverley" absorbed in a great
degree the curiosity of the reading public. Miss Austen, whose work is
destined, in the opinion of good judges, to survive with the language,
made her first venture, like the author of "Evelina," anonymously; but it
created no such furore. This was "Sense and Sensibility," published in
1811; but she had already written "Northanger Abbey" and "Pride and
Prejudice," although they were not published until years afterward. No one
supposed her to be more than an every-day bright and observant young lady.
Like other English girls of her class, it was her habit to sit in the
drawing-room with the ladies of the family after eleven o'clock each day,
ready to receive visitors. Instead of having needle-work in her hand, Jane
had a pen, which was often dropped just in the midst of one of her clear,
incisive pictures of the Woodhouses, Knightleys, and Bennets, as neighbors
who might have served for the originals of those characters were
announced. Feminine tact instantly obliterated every sign of literary
occupation: the quill was thrown aside, and her sister's canvases and
embroidery were strewn over the writing-table to cover every scrap of
paper.
The famous pseudonyme of George Sand, which seems so characteristic of the
writer, was a matter of accident. When Madame Dudevant, tired of her
domestic _rôle_, went to Paris to take up a literary career, her
mother-in-law, Baroness Dudevant, said to her, with incredulous horror,--
"Is it true that it is your intention _to print books_?"
"Yes, madame."
"Well, I call that an odd notion."
"Yes, madame."
"That is all very good and very fine; but I hope you are not going to put
the name that I bear on the _covers of printed books_."
"Oh, certainly not, madame: there is no danger."
When the publisher wanted a signature for "Indiana" which should show that
it was by one of the authors of "Rose et Blanche," which she had written
in collaboration with Sandeau under the name of Jules Sand, the author
retained the Sand and prefixed George to it as a simple and rustic title.
Public-domain text, read in full here on John Shaqi.
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