Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"The next night and many succeeding nights she took Franz to the
principal monuments of the city, introducing him everywhere with
incomprehensible facility, explaining to him with admirable lucidity
everything presented to their view, displaying to him marvelous
treasures of intelligence and sensibility. He did not know which to
admire most, the mind that had investigated so deeply or the heart that
displayed itself in such beautiful bursts of feeling. What had at first
been with him only a fancy, soon changed to a real and profound
sentiment. Curiosity had caused him to form a connection with the Mask,
and astonishment had led him to continue it. But at length the habit
which he had formed of seeing her every night became to him a veritable
necessity. Although the words of the unknown were always grave and often
sad, Franz found in them an indefinable charm which attached him to her
more and more, and he could not have fallen asleep at the break of day
if he had not at night heard her sighs and seen her tears. He had such a
sincere and profound respect for the grandeur and sufferings of which he
suspected her that he had not dared beg her to take off her mask or to
tell him her name. As she had not asked his, he would have blushed to
show himself more curious and less discreet than she; and he was
resolved to hope everything from her good-will and nothing from his own
importunity. She seemed to appreciate the delicacy of his conduct, and
to be pleased with it, for at each succeeding interview she showed him
more confidence and sympathy. Although not a single word of love had
been uttered between them, Franz had reason to believe that she knew his
passion and felt disposed to share it. His hopes almost sufficed for his
happiness, and when he felt a deeper desire to know her whom he already
named internally his mistress, his imagination, impressed and as if
assured by the marvels which surrounded him, painted her so perfect and
so beautiful that he almost feared the moment in which she should be
unveiled to him.
"One night, as they were wandering together under the arcades of St.
Mark's, the masked woman made Franz stop before a picture which
represented a girl kneeling before the patron saint of the basilica and
the city. 'What do you think of this woman?' said she to him, after
having given him time to examine it well.
"'It is,' he answered, 'the most wonderful beauty that one could, not
see, but imagine. The artist's inspired soul has been able to give us
its image, but the model can only exist in heaven.'
"The masked woman warmly pressed the hand of Franz. 'I,' she replied,
'know a face more beautiful than that of the glorious Saint Mark, and I
could love no other than that which is the living image of it.'
Public-domain text, read in full here on John Shaqi.
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