Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But it was not for Freshwater, old or new; not for its church, which has
some very fine bits, and an epitaph celebrating "the most virtuous Mrs.
Anne Toppe, in her widowhood, by a memorable providence, preserved out
of the flames of the Irish rebellion;" not for the really superb
character of the coast-cliffs, just here mined into caverns only
accessible from the sea, with huge detached masses of chalk, one
hollowed into a grand arch, through which the waters rush with
magnificent music; not for "the Needles," the extreme western points of
the middle range of downs, isolated masses of rock that are very fine
seen from seaward, entering "the Race" between the Isle of Wight and
Dorset; not for Alum Bay, whose gay sands we have all seen fantastically
arranged in landscapes under glass, and whose cliffs have their
vertical strata in brilliant stripes of deep, purplish-red, blue,
yellow, gray that is almost white, and jet black, and contrast
delightfully with the snowy sides of "the Needles;"--not for any or all
the sublimity of sea and shore, did I make the pilgrimage to this
out-of-the-way island corner. I went, as most lovers of our English
tongue in its strength and poetry will go, because here for years was
Tennyson's home--the home wherein most of his poems have been
written--Farringford,
Where, far from noise of smoke and town,
I watch the twilight falling brown
All round a careless-ordered garden,
Close to the ridge of a noble down.
You'll have no scandal while you dine,
But honest talk and wholesome wine,
And only hear the magpie gossip
Garrulous, under a roof of pine.
For groves of pine on either hand.
To break the blasts of winter, stand,
And farther on, the hoary Channel
Tumbles a breaker on chalk and sand.
The house is by no means beautiful, but it is in the midst of such a
network of peacefulest leafy lanes, the near-by surroundings are so
grand, the "groves of pine" and the "careless-ordered garden" look so
utterly fitted to be haunted by a poet's step and musings, the whole
place must be so associated, so saturated with his reveries and fancies,
so peopled with his creations, that it seems impossible any other spot
_could_ be home to him; and one feels a great pang of sadness that the
only true master of Farringford should have felt himself driven to leave
it, and to set up his household gods where he would be comparatively
unknown and unhunted.
Public-domain text, read in full here on John Shaqi.
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