watch, one for your comb, one for lamplighters, one for burnt matches; ever so many others for what you can't guess; and all beaded, bugled, tasselled and embroidered to form a perfect zodiac of splendors. Though the country wife is kind to her domestics, she has a knack of getting the best out of them. The girl who scorches things and boils tea as if some incantation of double, double toil and trouble, fire burn and teapot bubble, had got into her head--the girl who stands like a Stoughton bottle and bawls "Ma'am!" whenever she is spoken to--the slow girl who can't tell time, forgets to put on the teakettle, and never gets beyond "one I, one--two I, two," on the kitchen clock--the small servant with the bad cold who _will_ sit by the parlor fire coughing, snuffing and breathing hard--the girl like an overgrown man who slobbers dish-water on the floor and steps in it--the Deutsche girl who spoils the parlor clock turning it upside down to dust it thoroughly,--these and worse become reliable people under the sway of the old-fashioned country housewife. The Deutsche girl becomes a paragon in the farmhouse, quickly falling into Yankee ways and picking up Yankee kitchen phrases, and turning them with a bold originality. "Them clothes is bone dry," says the Deutsche girl. "Oh land! yes: they got a bone drying to-day. I gave them clothes a bone rubbing and a bone boiling, and to-morrow they'll get a bone ironing, you bet," says she. Next to her rank the Dane and the Swede. The Irish girl is never a congenial inmate of the farmhouse. The Irish girl is too noisy and too much given to lying. The last might be endured--the farmer's wife would rather hear an Irish girl tell forty lies than sing one song--but the noise she makes talking to the butcher's boy, the peddler, the essence-man and the ash-gatherer is insufferable; and when the Irish rag-merchant bursts open the kitchen door roaring, "God bless you! you're a real lady; got any rags? don't sell to them theivin' Jews, they're villains; sold your rags to a man that pays more than me? divil a man in the county pays more than me," why, the farmhouse quiet is torn to ribbons. And then the Irish girl is cross to visitors, who form the solace and charm of country life. "I wants no lady-visitors around me; they makes too much bodderin' wid towels and wather; they're always a-washin' of theirselves. They wants a clean towel to every one of their tin fingers: they're afraid us gurrels sha'n't earn our wages. Give me men for my money: they ain't always a-cleanin' of theirselves," growls the Irish girl.