Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
At Aldershot the military class lives in huts, a generic name given to
certain low wooden structures of small dimensions and a single story,
covering, however, a good many specific variations. The oblong shanty
in which thirty or forty common soldiers are stowed away is naturally
a very different affair from the neat little bungalow of an officer.
The buildings are distributed in chessboard fashion over a very large
area, and form two distinct camps. There is also a substantial little
town, chiefly composed of barracks and public-houses; in addition to
which, at crowded seasons, far and near over the plain there is the
glitter of white tents. "The neat little bungalow of an officer," as I
said just now: I learned, among other things, what a charming form of
habitation this may be. The ceilings are very low, the partitions are
thin, the rooms are all next door to each other; the place is a good
deal like an American "cottage" by the seaside. But even in these
narrow conditions that homogeneous English luxury which is the
admiration of the stranger blooms with its usual amplitude. The
specimen which suggests these observations was cushioned and curtained
like a pretty house in Mayfair, and yet its pretensions were tempered
by a kind of rustic humility. I entered it first in the dark, but the
next morning, when I stepped outside to have a look at it by daylight,
I burst into pardonable laughter. The walls were of plain planks
painted a dark red: the roof, on which I could almost rest my elbow,
was neatly endued with a coating of tar. But, after all, the thing was
very pretty. There was a matting of ivy all over the front of the hut,
thriving as I had never known ivy to thrive upon a wooden surface:
there was a tangle of creepers about all the windows. The place looked
like a "side-scene" in a comic opera. But there was a serious little
English lawn in front of it, over which a couple of industrious
red-coats were pulling up and down a garden-roller; and in the centre
of the drive before the door was a tremendous clump of rhododendrons
of more than operatic brilliancy. I leaned on the garden-gate and
looked out at the camp: it was twinkling and bustling in the morning
light, which drizzled down upon it in patches from a somewhat agitated
sky. An hour later the camp got itself together and spread itself, in
close battalions and glittering cohorts, over a big green level, where
it marched and cantered about most effectively in honor of a lady
living at a quiet Scotch country-house. One of this lady's generals
stood in a corner, and the regiments marched past and saluted. This
simple spectacle was in reality very brilliant. I know nothing about
soldiers, as the reader must long since have discovered, but I had,
nevertheless, no hesitation in saying to myself that these were the
handsomest troops in the world. Everything in such a spectacle is
highly picturesque, and if the observer is one of the profane he
has no perception of weakness of detail.
Public-domain text, read in full here on John Shaqi.
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