Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
When Hyacinthe has been shown to her room by the sober housemaid,
the two old ladies discuss the situation in full, and Miss Juliet's
gentleness so far prevails over Miss King's frigid despair as to wring
from the latter a tardy promise to let the young niece pursue the
frightful tenor of her way, at least for a time.
A week after her arrival in London, the girl, having informed herself
with a marvellous quickness of intelligence on various practical
points, calmly laid her plans before her aunts, the elder of whom
listened in frigid silence, the younger with assurances of assistance
and counsel. She then proceeded to put her projects into action with a
curious matter-of-factness that, considering the purely ideal nature
of her aim, is to be accounted for in no other way than by the
recollection of her parentage--the Greek soul and the British brain.
On a Wednesday morning Hyacinthe and Miss Juliet repaired to the
studio of a great sculptor: the niece had previously written to him
stating her desire, and the aunt, nervous and excited, clung to the
girl's firm arm in a kind of terror.
"You wish to know if you have a talent for my art?" he asked kindly,
looking into the pallid young face with its earnest uplifted look. "I
think that had you the least gift that way, having lived in Rome, you
would know it without my assistance. However, here is a bit of clay:
we shall soon see. Try what your fingers can make of it--if a cup like
this one." He turned off, but watched her, nevertheless, with fixed
curiosity as she handled the lump of damp earth.
Hyacinthe could make nothing of it save twist it from one shapeless
mass into another.
"I had hoped it would be sculpture," she said a bit regretfully as she
left the great man's workroom. "In my dream _he_ was a statue."
On Thursday the two went to the atelier of a renowned painter. He too
bent curious interested eyes upon the absorbed and searching face of
his strange applicant as he placed pencils, canvas and brushes before
her, and directed her to look for a model to the simple vase that
stood opposite or to the bust of Clyte that was beside her. But
Hyacinthe had no power over these things, and the two turned their
faces back toward the small house in Craven street.
On Friday they sought out a celebrated musician, but the long, supple
hands--veritable "piano-hands" he noted from the first--availed the
girl in no way here. The maestro said she "might spend years in study,
but the soul was not attuned to it."
When Saturday came they went to a famous teacher for the voice. But,
alas! Hyacinthe, he said frankly, had "no divine possibilities shrined
in her mellow tones." Perhaps she was a little, just a little,
disheartened on Saturday night. If so, none knew it.
On Sunday the old ladies took her to St. Martin-le-Grand's church, but
all she said over the early cold dinner was, "Women cannot preach in
the churches. I could not find him there."
Public-domain text, read in full here on John Shaqi.
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