Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
On April 25, 1843, the general returned, accompanied by Madame
Lascours and all the officers of his staff. The following was the
programme of the occasion: (1) A quartette from Webbe; (2) A Languedoc
air in three parts, from Desrues; (3) A trio from the opera of
_[OE]dipus in Colonna_, by Sacchini; (4) Singing at sight intervals of
all kinds, major and minor; (5) Singing at sight in eight different
keys; (6) Two rounds in three voices from Siller; (7) A quartette from
the _Clemenza di Tito_ of Mozart; (8) A quartette from the _Iphigenia_
of Gluck; (9) A trio from the _Corysander_, or the _Magic Rose_ of
Berton; (10) Exercise upon the tonic in all the keys, major and minor;
(11) Exercise in naming notes vocalized; (12) Singing at sight a trio
from the _Magic Flute_ of Mozart; (13) _Ave Regina_, by Choron--three
voices; (14) The _Gondolier_, a round in three parts, by Desrues; (15)
A quartette from the _Magic Flute_; (16) Chorus from the _Tancredi_ of
Rossini; (17) The "Prayer" from _Joseph_, by Mehul.
This is certainly a remarkable programme to be filled by illiterate
soldiers with only six months' training. "It would be difficult," says
the official report, "to paint the astonishment of the spectators
upon this occasion. The confidence and readiness with which
these soldier-students of music sang at sight the most difficult
intonations, major and minor, the facility with which they read in all
the keys, and, finally, the certainty and spontaneity with which
they _all, without exception_, recognized and named various sounds
vocalized, showed clearly that they possessed a very superior
knowledge of intonation. All the pieces which they sung were rendered
with irreproachable correctness, though the professor did not beat the
time, except through the first bar to indicate the movement.
"With the consent of General Lascours, all the teachers and professors
in the city, including the members of the Royal College, were on one
occasion admitted to a private rehearsal of M. Cheve's class. The
result was the same--admiration and astonishment. The professor
received on all sides well-merited praise for a success gained in so
short a time and with such unfavorable conditions.
"These soldiers have at this moment (September 1, 1843) reached a
degree of power in intonation and in reading music at sight which is
fairly wonderful. They can sing together at sight any new piece in
three or four parts, the music being written, after the new method, in
figures. If the piece be written in the ordinary musical character,
no matter what the key, they can also sing it at sight together after
they have together sung each part by itself. All the members of the
class understand thoroughly the theory of music, and are able to write
from dictation a vocalized air never heard before, no matter what the
modulations may be.
Public-domain text, read in full here on John Shaqi.
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