Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, August, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Signer Rizzi is the professor of literature at the military school and
the high school for girls in Milan. Not long ago his three sonnets
to the hog--or, more literally, the boar (_maiale_)--appeared in an
Italian journal called _Illustrazione Italiana_, prefaced by a letter
to the editor, in which the author stated that as apes, toads and
caterpillars have now been triumphantly introduced into literature, he
no longer felt any hesitation about bringing forward in the same way
his esteemed friend the boar. These three pieces, together with others
of the same form and character, have now been published as a book
under the title of _Un Grido_. This work begins with an address to the
reader, in which the poet laments the prevailing tendency of public
opinion, and protests against what he considers a determined war on
all old and honored beliefs and feelings, and a substitution therefor
of a vague and revolting materialism. Then come five sonnets to Pietro
Aretino, the witty poet and scoffer of the Renaissance era. Aretino is
invited to reappear among men, for the world, says Rizzi, has again
become worthy of such a man's presence. Leaving Dante to Jesuits, and
Beatrice to priests, it has made Aretino its favorite model, and has,
consequently, said farewell to everything resembling shame. In the
last of these five sonnets the poet addresses his beloved thus: "And
we too, O Love! do we still keep holy honor, home, faith, prayer,
truth and noble sorrow?"
After the five sonnets to Aretino come the three to the boar (_Al
Maiale_) which have already been mentioned. Here the author enters
into a mock glorification of that animal, and declares himself ready
to give up all pretensions to any superiority over it. He proceeds
to "swear eternal friendship" with it, and offers it his hand
to solemnize the compact; but, suddenly remembering that such
old-fashioned practices must be very distasteful to his new friend, he
immediately apologizes for having conformed to such a ridiculous old
prejudice. He does not expect his "long-lost brother" to make any
effort to elevate himself or to change his swinish nature in any
particular, but thinks we should all bring ourselves down to the
boar's mental and physical level as soon as we can. The closing verses
of the third sonnet may be freely rendered as follows:
And when, at last, the grave shall close above us,
No solemn prayer our resting-place should hallow,
No flowers be strewn by hands of those that love us.
But if, at times, you'll come where we are lying,
O worthy friend! upon our graves to wallow,
That thought should give us joy when we are dying.
The last piece in this little collection is addressed to "The Birds of
my Garden" _(Agli Uccelletti del mio Giardino)_. Though inferior to
the others in boldness and originality of conception, it is much more
graceful and attractive, and shows that the writer is by no means
deficient in elegance of style and delicacy of treatment.
Public-domain text, read in full here on John Shaqi.
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